Description
Book SynopsisA Country Life 'Best Book of the Year' 2023
The Times Book of the Week
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'I could read Martin Williams all day. He is a staggeringly communicative historian; this book throws shafts of light on recent history almost repeating itself, giving vivid glimpses into monarchy and the way things were, and are. Compulsory reading.' --- Dame Joanna Lumley
'A social historian and gifted storyteller, Williams is by turns moved and amused as he reflects on the poignancy and rituals of a nation united (pretty much) in grief...' --- The Times
'adroitly-written...[told by Williams] so skilfully, and with such silken prose, that it's a pleasure to spend the time inside his head' --- The Oldie
'delightful details...to rekindle this vanished epoch' --- Country Life
'Vivid, panoramic, skilfully written, this gripping book is an insight into a time and an age'. --- Kate Williams
'Martin Williams has written a fascinating and absorbing account of the Edwardian era, the demise and funeral of the King, and the iconic Black Ascot that followed it. He has brought a lost age grippingly to light'. --- Hugo Vickers
'witty, informative and immensely readable... captures the spirit of the times'. --- Miranda Seymour
'A tour de force'. --- Dr Kate Strasdin
'We tend to think that Cecil Beaton single-handedly invented the Edwardian Age. Martin Williams shows us succinctly and elegantly that perhaps it was the King himself.' --- Nicky Haslam
'... moves with unflagging wit and style. A fresh perspective on a brilliant life and a lost era beautifully evoked, it is impossible not to be swept away by this gem of a book. Pure pleasure.' --- Robin Muir
'a must-have... a wonderful and thought-provoking read.' --- The Historian
'...a book about a changed and changing world trying to cope with even more change...beautifully written [and] timely' --- The Catholic Herald
'...resonates powerfully with our own recent experience of collective mourning...Williams describes the king's gradual demise in evocative detail.' --- Air Mail
Unforgettable as it was, the public response to the death of Queen Elizabeth II in September 2022 was not without precedent. When her great-grandfather King Edward VII - glamorous, cosmopolitan and extraordinarily popular - died in May 1910, the political, social and cultural anxieties of a nation in turmoil were temporarily set aside during a summer of intense and ritualised mourning.
In The King is Dead, Long Live the King! Martin Williams charts a period of tension and transition as one era slipped away and another took shape. Witnessed by a diverse but interconnected cast of characters - crowned heads and Cabinet ministers, debutantes and suffragettes, artists and murderers - here is the swansong of Edwardian Britain. Set against a backdrop of bereavement and parliamentary crisis overshadowed by the gathering clouds of war, we see a people caught between past and future, tradition and modernity, as they unite to bid farewell to a much-loved monarch who had personified his age.
From Buckingham Palace to Bloomsbury, and from the lying-in-state in Westminster Hall to a now legendary Royal Ascot enveloped in black, this is a vivid evocation of a world on the brink of seismic upheaval.
