Description

From youth violence, to the impact of high stakes educational testing, to editorial hand wringing over the moral failures of
hip-hop culture, young people of color are often portrayed as gang affiliated, “troubled,” and ultimately, dangerous. The Hip-Hop Generation Fights Back examines how youth activism has emerged to address the persistent inequalities that affect urban youth of color. Andreana Clay provides a detailed account of the strategies that youth activists use to frame their social justice agendas and organize in their local communities.
Based on two years of fieldwork with youth affiliated with two non-profit organizations in Oakland, California, The Hip-Hop Generation Fights Back shows how youth integrate the history of social movement activism of the 1960s, popular culture strategies like hip-hop and spoken word, as well as their experiences in the contemporary urban landscape, to mobilize their peers. Ultimately, Clay’s comparison of the two youth organizations and their participants expands our understandings of youth culture, social movements, popular culture, and race and ethnic relations.

The Hip-Hop Generation Fights Back: Youth, Activism and Post-Civil Rights Politics

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Paperback / softback by Andreana Clay

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Short Description:

From youth violence, to the impact of high stakes educational testing, to editorial hand wringing over the moral failures of... Read more

    Publisher: New York University Press
    Publication Date: 02/07/2012
    ISBN13: 9780814717172, 978-0814717172
    ISBN10: 0814717179

    Number of Pages: 240

    Non Fiction

    Description

    From youth violence, to the impact of high stakes educational testing, to editorial hand wringing over the moral failures of
    hip-hop culture, young people of color are often portrayed as gang affiliated, “troubled,” and ultimately, dangerous. The Hip-Hop Generation Fights Back examines how youth activism has emerged to address the persistent inequalities that affect urban youth of color. Andreana Clay provides a detailed account of the strategies that youth activists use to frame their social justice agendas and organize in their local communities.
    Based on two years of fieldwork with youth affiliated with two non-profit organizations in Oakland, California, The Hip-Hop Generation Fights Back shows how youth integrate the history of social movement activism of the 1960s, popular culture strategies like hip-hop and spoken word, as well as their experiences in the contemporary urban landscape, to mobilize their peers. Ultimately, Clay’s comparison of the two youth organizations and their participants expands our understandings of youth culture, social movements, popular culture, and race and ethnic relations.

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