Description
Book SynopsisTrade Review"A rich contribution to Arkansas cultural history." --
Arkansas Historical Quarterly "The Heart of a Woman thus conveys the tenacity and resilience of two groundbreaking practitioners: it is the culmination of a lifetime's scholarship and the first monograph to tell Price's story in such depth and breadth. . . . A call to take Brown's work forward, to make audible the fullness of Price's compositional voice, and to render this resurgence into permanent visibility." --Journal of American Musicological Society
"The Heart of a Woman is more than a biography. It is an interdisciplinary work whose analytical explorations of race, gender, and class in American classical music is anchored by extensive musicological, archival, and oral history research on one of America's most prolific twentieth-century composers." --Journal of African American History
Table of ContentsCoverTitleCopyrightContentsForeword by Guthrie P. Ramsey Jr.AcknowledgmentsSourcesIntroductionPart I: Southern Roots1. Family Ties2. Little Rock: “The Negro Paradise”3. The Pursuit of Education: Elementary and High School4. The New England Conservatory of Music5. Return to Little Rock6. Clark University and MarriagePart II: The “Dean” of Negro Composers of the Midwest7. VeeJay and the Black Metropolis8. "My Soul’s Been Anchored in de Lord"9. Black Satin Clothes at the Fair10. Spirituals to Symphonies: A Century of Progress11. The Symphony in E Minor12. O Sing a New Song13. The Piano Concerto in One Movement14. Performing Again15. Professional Recognition: Reconciling Gender, Class, and Race16. The WPA Years17. The Chicago Renaissance18. The Symphony No. 319. Final Years: The Heart of a WomanPostscriptAfterword by Carlene J. BrownNotesSelected BibliographyDiscographyFor Further ReadingIndexBack Cover
