Description

Book Synopsis
In this translation of glosses on the Song of Songs, Mary Dove offers a readily accessible and inexpensive resource for students and scholars. Anselm of Laon, possibly assisted by his brother Ralph, is credited with compiling the Glossa Ordinaria on the Song of Songs, drawing from earlier commentaries by Origen, Gregory the Great, Bede, Alcuin, Hrabanus Maurus, Haimo of Auxerre, and Robert of Tombelaine as well as contributing his own readings of the text. As Dove notes in her introduction, the text is quite complicated, with each manuscript page divided into three columns - the biblical text in large letters in the center column, with space left for interlinear glosses, and glosses in smaller letters in both the right- and left-hand columns. (This format is not reproduced in this translation.) The number of surviving manuscripts (over seventy) shows that plenty of readers enjoyed the challenges the text offered, and for modern readers, the Glossa Ordinaria is the first place to go to find medieval interpretation of biblical texts.

Table of Contents
Abbreviations
Introduction
Prefaces
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Notes
Bibliography

The Glossa Ordinaria on the Song of Songs

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    A Paperback / softback by Mary Dove

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      View other formats and editions of The Glossa Ordinaria on the Song of Songs by Mary Dove

      Publisher: Medieval Institute Publications
      Publication Date: Publication Date: 01/05/2004
      ISBN13: 9781580440844, 978-1580440844
      ISBN10: 1580440843

      Description

      Book Synopsis
      In this translation of glosses on the Song of Songs, Mary Dove offers a readily accessible and inexpensive resource for students and scholars. Anselm of Laon, possibly assisted by his brother Ralph, is credited with compiling the Glossa Ordinaria on the Song of Songs, drawing from earlier commentaries by Origen, Gregory the Great, Bede, Alcuin, Hrabanus Maurus, Haimo of Auxerre, and Robert of Tombelaine as well as contributing his own readings of the text. As Dove notes in her introduction, the text is quite complicated, with each manuscript page divided into three columns - the biblical text in large letters in the center column, with space left for interlinear glosses, and glosses in smaller letters in both the right- and left-hand columns. (This format is not reproduced in this translation.) The number of surviving manuscripts (over seventy) shows that plenty of readers enjoyed the challenges the text offered, and for modern readers, the Glossa Ordinaria is the first place to go to find medieval interpretation of biblical texts.

      Table of Contents
      Abbreviations
      Introduction
      Prefaces
      Chapter 1
      Chapter 2
      Chapter 3
      Chapter 4
      Chapter 5
      Chapter 6
      Chapter 7
      Chapter 8
      Notes
      Bibliography

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