Description

Fairy-tale atmospheres and complex narratives are a hallmark of the fiction of Anne Serre, represented here by three radically heterodox novellas. The Fool “may have stepped out of a tarot pack: I came across this little figure rather late in life. Not being familiar with playing cards, still less with the tarot, I was a bit uncomfortable when I first set eyes on him. I believe in magic figures and distrust them…a figure observing you can turn the world upside down.” The Narrator concerns a sort of writer-hero: “Outcasts who can’t even tell a story are what you might call dropouts, lunatics, misfits. With them the narrator is in his element, but has one huge advantage: he can tell a story.” Little Table, Set Yourself!—a moral tale concerning a family happily polyamorous—is the most overtly a fable of these three works, and the briefest, but thin as a razor is thin. A dream logic rules each of these wildly unpredictable, sensual and surreal novellas: these may be romps, but nevertheless deeply moral and entirely unforgettable ones.

The Fool and Other Moral Tales

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Paperback / softback by Anne Serre , Mark Hutchinson

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Fairy-tale atmospheres and complex narratives are a hallmark of the fiction of Anne Serre, represented here by three radically heterodox... Read more

    Publisher: New Directions Publishing Corporation
    Publication Date: 03/01/2020
    ISBN13: 9780811227162, 978-0811227162
    ISBN10: 0811227162

    Number of Pages: 228

    Fiction

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    Description

    Fairy-tale atmospheres and complex narratives are a hallmark of the fiction of Anne Serre, represented here by three radically heterodox novellas. The Fool “may have stepped out of a tarot pack: I came across this little figure rather late in life. Not being familiar with playing cards, still less with the tarot, I was a bit uncomfortable when I first set eyes on him. I believe in magic figures and distrust them…a figure observing you can turn the world upside down.” The Narrator concerns a sort of writer-hero: “Outcasts who can’t even tell a story are what you might call dropouts, lunatics, misfits. With them the narrator is in his element, but has one huge advantage: he can tell a story.” Little Table, Set Yourself!—a moral tale concerning a family happily polyamorous—is the most overtly a fable of these three works, and the briefest, but thin as a razor is thin. A dream logic rules each of these wildly unpredictable, sensual and surreal novellas: these may be romps, but nevertheless deeply moral and entirely unforgettable ones.

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