Description

The last novel by the international superstar and author of The Unbearable Lightness of Being.

'Kundera is the saddest, funniest, and most lovable of authors.' Times

Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism-that's The Festival of Insignificance. Readers who know Kundera's earlier books know that the wish to incorporate an element of the "unserious" in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author's wife, says to her husband: "you've often told me you meant to write a book one day that would have not a single serious word in it... I warn you: watch out. Your enemies are lying in wait."

Now, far from watching out, Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humor. What more can we say? Nothing. Just read.

The Festival of Insignificance

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£9.99

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Paperback / softback by Milan Kundera , Linda Asher

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Short Description:

The last novel by the international superstar and author of The Unbearable Lightness of Being.'Kundera is the saddest, funniest, and... Read more

    Publisher: Faber & Faber
    Publication Date: 07/04/2016
    ISBN13: 9780571316496, 978-0571316496
    ISBN10: 0571316492

    Number of Pages: 128

    Fiction , Contemporary Fiction

    Description

    The last novel by the international superstar and author of The Unbearable Lightness of Being.

    'Kundera is the saddest, funniest, and most lovable of authors.' Times

    Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism-that's The Festival of Insignificance. Readers who know Kundera's earlier books know that the wish to incorporate an element of the "unserious" in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author's wife, says to her husband: "you've often told me you meant to write a book one day that would have not a single serious word in it... I warn you: watch out. Your enemies are lying in wait."

    Now, far from watching out, Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humor. What more can we say? Nothing. Just read.

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