Description

Book Synopsis


Trade Review
“Rafael Campo is one of the most significant poets writing in America today. In exploring the complexities of his position—Cuban American, gay, Harvard grad, physician, scrupulous observer of himself, of others, and of the worlds we inhabit—he has produced a richly textured, layered body of work, distinguished for its mastery of, and wrestling with, poetic form, as well as for its courage, compassion, and clarity. Hybrid—a mix of memory and desire, trust and fear, anger and love—his work has always been death-haunted yet he speaks for what is alive and healing in American culture.”—Alicia Suskin Ostriker, author of No Heaven
“Rafael Campo writes tough, questioning, rueful, exquisite, true-hearted poems that resist nostalgia while testing the transformative power of beauty. In perfectly wrought poem after poem, he explores the ‘honor’ of sacrifice and the breadth of human fidelities. The Enemy is surely Campo’s best book yet.”—Elizabeth Alexander, Yale University
“Rafael Campo’s The Enemy moves with naturalness, speed, and balance between experiences of domestic love—a couple of gay men, celebrating rites of daily ordinariness—and scenes from a doctor’s life. We turn to Campo for frankness, freshness, and the tang of truth, and we are rewarded.”—Rosanna Warren, author of Departure
“[A]n enterprising, emotive journey visiting upon many wide-ranging, contemporary themes. . . . Campo's talent is on great display here, soft, smooth, flowing, and soothing enough to pamper even the most hardened of hearts.” -- Jim Piechota * Bay Area Reporter *
“Campo's poems are always a surprise, shockingly honest and revelatory, words that are shaped and made rhythmic by form--bullets, if you will, explosives that arrive shiny and contained. In this collection, his poems reach new heights of maturity and insight, and they are, more than ever, searingly honest.” -- Cortney Davis * Literature, Arts and Medicine Database *
“For readers who are new to Campo's poetry, this collection is a good introduction. He writes of music and celebrates the erotic. He has awe for the mysterious and a familiarity with despair, and he catches frequent hints of God's presence. In this book, there are tiresome days in the clinic and patients who are near death but who will not die. There are poems in which our fragments all fall into place perfectly. . . . Campo's poems show how medicine can best be of service in the absence of cures or quick fixes, and how medical professionals can best be present, mindfully and emotionally, during moments of human suffering.” -- Heather A. Burns * New England Journal of Medicine *
“My favorite book of 2007, the one I keep returning to again and again, is Rafael Campo’s The Enemy. Campo, the pinpoint lyricist, takes an unflinching look at the deceptions necessary for war, the weaknesses it reveals and disguises as glory. Battles within the body, clashes of landscape and culture, wars of mindset and madness—Campo unleashes truths within stanzas that are deftly and uncompromisingly structured. His revelations—ragged, miraculous, hard-won—spark the ache of recognition (’We have become the creature no deity would deign to call ‘child’’), but also turn the heart towards hope.” -- Patricia Smith * Harriet: A Blog from the Poetry Foundation *

Table of Contents
Acknowledgments xi
I. The Enemy
Dialogue with Sun and Poet 3
Addressed to Her (Provincetown, June 2002) 4
"Elsa, Varadero, 1934" 5
Night Has Fallen 6
Personal Mythology 7
Piranhas 8
Brief Treatise on the New Millennial Poetics 10
El Viejo y la Mar 12
Ode to the Man Incidentally Caught in the Photograph of Us on My Desk 13
The Enemy 14
God, Gays, and Guns 15
Patriotic Poem 17
Post-9/11 Parable 18
Sestina Dolorosa 19
What Passes Now for Moral Discourse 21
from Libro de Preguntas 22
II. Eighteen Days in France
Eighteen Days in France 27
III. Toward a Theory of Memory
from Cien Sonetos de Amor 47
A Simple Cuban Meal 51
The Sailfish 52
Ganymede, to Zeus 53
After the Long Drive
55
For Jorge, after Twenty Years 57
Song in the Off-Season 60
Catastrophic Sestina 61
Toward a Theory of Memory 63
Patagonia 67
Defense of Marriage 68
The Story of Us 69
The Sodomite's Lament 71
Equinoctial Downpour 72
Pantoum for Our Imagined Break-Up 73
The Changing of the Seasons 74
Once, It Seemed Better 75
October, Last Sail 76
IV. Dawn, New Age
Dawn, New Age 79
Allegorical 80
Progress 81
The Crocuses 82
Crybaby Haiku 83
"Silence=Death" 87
Clinical Vignettes 88
You Bring Out the Doctor in Me 90
Composite of Three Poems from the Same Anthology by Williams, Rukeyser, and Sexton 92
Tuesday Morning 93
Arriving 95
Absolution 97
On Doctoring 98
Sick Day 99

The Enemy

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    A Paperback / softback by Rafael Campo

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      Publisher: Duke University Press
      Publication Date: Publication Date: 08/05/2007
      ISBN13: 9780822339601, 978-0822339601
      ISBN10: 0822339609

      Description

      Book Synopsis


      Trade Review
      “Rafael Campo is one of the most significant poets writing in America today. In exploring the complexities of his position—Cuban American, gay, Harvard grad, physician, scrupulous observer of himself, of others, and of the worlds we inhabit—he has produced a richly textured, layered body of work, distinguished for its mastery of, and wrestling with, poetic form, as well as for its courage, compassion, and clarity. Hybrid—a mix of memory and desire, trust and fear, anger and love—his work has always been death-haunted yet he speaks for what is alive and healing in American culture.”—Alicia Suskin Ostriker, author of No Heaven
      “Rafael Campo writes tough, questioning, rueful, exquisite, true-hearted poems that resist nostalgia while testing the transformative power of beauty. In perfectly wrought poem after poem, he explores the ‘honor’ of sacrifice and the breadth of human fidelities. The Enemy is surely Campo’s best book yet.”—Elizabeth Alexander, Yale University
      “Rafael Campo’s The Enemy moves with naturalness, speed, and balance between experiences of domestic love—a couple of gay men, celebrating rites of daily ordinariness—and scenes from a doctor’s life. We turn to Campo for frankness, freshness, and the tang of truth, and we are rewarded.”—Rosanna Warren, author of Departure
      “[A]n enterprising, emotive journey visiting upon many wide-ranging, contemporary themes. . . . Campo's talent is on great display here, soft, smooth, flowing, and soothing enough to pamper even the most hardened of hearts.” -- Jim Piechota * Bay Area Reporter *
      “Campo's poems are always a surprise, shockingly honest and revelatory, words that are shaped and made rhythmic by form--bullets, if you will, explosives that arrive shiny and contained. In this collection, his poems reach new heights of maturity and insight, and they are, more than ever, searingly honest.” -- Cortney Davis * Literature, Arts and Medicine Database *
      “For readers who are new to Campo's poetry, this collection is a good introduction. He writes of music and celebrates the erotic. He has awe for the mysterious and a familiarity with despair, and he catches frequent hints of God's presence. In this book, there are tiresome days in the clinic and patients who are near death but who will not die. There are poems in which our fragments all fall into place perfectly. . . . Campo's poems show how medicine can best be of service in the absence of cures or quick fixes, and how medical professionals can best be present, mindfully and emotionally, during moments of human suffering.” -- Heather A. Burns * New England Journal of Medicine *
      “My favorite book of 2007, the one I keep returning to again and again, is Rafael Campo’s The Enemy. Campo, the pinpoint lyricist, takes an unflinching look at the deceptions necessary for war, the weaknesses it reveals and disguises as glory. Battles within the body, clashes of landscape and culture, wars of mindset and madness—Campo unleashes truths within stanzas that are deftly and uncompromisingly structured. His revelations—ragged, miraculous, hard-won—spark the ache of recognition (’We have become the creature no deity would deign to call ‘child’’), but also turn the heart towards hope.” -- Patricia Smith * Harriet: A Blog from the Poetry Foundation *

      Table of Contents
      Acknowledgments xi
      I. The Enemy
      Dialogue with Sun and Poet 3
      Addressed to Her (Provincetown, June 2002) 4
      "Elsa, Varadero, 1934" 5
      Night Has Fallen 6
      Personal Mythology 7
      Piranhas 8
      Brief Treatise on the New Millennial Poetics 10
      El Viejo y la Mar 12
      Ode to the Man Incidentally Caught in the Photograph of Us on My Desk 13
      The Enemy 14
      God, Gays, and Guns 15
      Patriotic Poem 17
      Post-9/11 Parable 18
      Sestina Dolorosa 19
      What Passes Now for Moral Discourse 21
      from Libro de Preguntas 22
      II. Eighteen Days in France
      Eighteen Days in France 27
      III. Toward a Theory of Memory
      from Cien Sonetos de Amor 47
      A Simple Cuban Meal 51
      The Sailfish 52
      Ganymede, to Zeus 53
      After the Long Drive
      55
      For Jorge, after Twenty Years 57
      Song in the Off-Season 60
      Catastrophic Sestina 61
      Toward a Theory of Memory 63
      Patagonia 67
      Defense of Marriage 68
      The Story of Us 69
      The Sodomite's Lament 71
      Equinoctial Downpour 72
      Pantoum for Our Imagined Break-Up 73
      The Changing of the Seasons 74
      Once, It Seemed Better 75
      October, Last Sail 76
      IV. Dawn, New Age
      Dawn, New Age 79
      Allegorical 80
      Progress 81
      The Crocuses 82
      Crybaby Haiku 83
      "Silence=Death" 87
      Clinical Vignettes 88
      You Bring Out the Doctor in Me 90
      Composite of Three Poems from the Same Anthology by Williams, Rukeyser, and Sexton 92
      Tuesday Morning 93
      Arriving 95
      Absolution 97
      On Doctoring 98
      Sick Day 99

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