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The new paperback edition of Roy Strong's popular introduction to Elizabethan portraiture

Written for the general reader, Roy Strong’s popular introduction to Elizabethan portraiture synthesizes scholarship and research on this subject into a concise introduction to the Elizabethan aesthetic. Strong surveysthe entirety of Elizabeth I’s reign from the Procession Picture to the Rainbow Portrait (1600–1602). A range of social aspects of Elizabethan portraiture are explored, such as patronage, symbolic self-fashioning, Elizabethan pageantry and melancholic humor. Strong reveals the Elizabethan approach to portraiture, while demonstrating a new way to look at these paintings. From celebrated portraits of the Queen and paintings of knights and courtiers, to works depicting an aspiring 'middle class’, Strong presents a detailed and authoritative examination of one of the most fascinating periods of British art.

The Elizabethan Image: An Introduction to English Portraiture, 1558–1603

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Paperback / softback by Roy Strong

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The new paperback edition of Roy Strong's popular introduction to Elizabethan portraiture Written for the general reader, Roy Strong’s popular... Read more

    Publisher: Yale University Press
    Publication Date: 24/08/2021
    ISBN13: 9780300260595, 978-0300260595
    ISBN10: 0300260598

    Number of Pages: 224

    Non Fiction , Art & Photography

    Description

    The new paperback edition of Roy Strong's popular introduction to Elizabethan portraiture

    Written for the general reader, Roy Strong’s popular introduction to Elizabethan portraiture synthesizes scholarship and research on this subject into a concise introduction to the Elizabethan aesthetic. Strong surveysthe entirety of Elizabeth I’s reign from the Procession Picture to the Rainbow Portrait (1600–1602). A range of social aspects of Elizabethan portraiture are explored, such as patronage, symbolic self-fashioning, Elizabethan pageantry and melancholic humor. Strong reveals the Elizabethan approach to portraiture, while demonstrating a new way to look at these paintings. From celebrated portraits of the Queen and paintings of knights and courtiers, to works depicting an aspiring 'middle class’, Strong presents a detailed and authoritative examination of one of the most fascinating periods of British art.

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