Description
Book SynopsisThe Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations.
Trade ReviewThis book appears at a time when scholarly interest has travelled far down the many tributaries connecting Virginia Woolf to the cultural moment in which she lived and worked. No previous book, however, has attempted an overview of the significance of the arts to Woolf. Hence the need for this all encompassing endeavour. Its breadth of interest catches many topics, from gardens to the aesthetics of the city, from scrapbooks and journalism to dance, music, film, photography and the theatre. It is rich in overlap and fertile creative tensions. Its catholicity also embraces differing levels of debate and a range of methodologies. In some areas it summarises existing knowledge, in others it sets up new avenues of enquiry. But, as a whole, this is a richly variegated assortment of essays. It will, for a long time, remain a most useful compendium. -- Frances Spalding, art historian, critic and biographer The Edinburgh Companion to Virginia Woolf and the Arts gathers a stellar group of scholars to exemplify the range and depth of Woolf's engagement with the arts. This remarkable collection shows that whether engaged with music, painting, dance, cinema, fashion, photography, decoration or entertaining, Woolf stands at the heart of the dynamism and innovations of twentieth-century aesthetics. The Companion will be a rich and provocative resource for anyone with an interest in modern culture. -- Mark Hussey, Editor, Woolf Studies Annual 'Editor Maggie Humm and colleagues can certainly be congratulated on succeeding in this exhaustive and groundbreaking task! Almost every book, essay and autobiographical detail of the author have been seamlessly bound together with the broadest definition of art, from script to screen, page to performance -- making the Edinburgh Companion an invaluable resource for the "common reader" and students of art alike ... Scholars of art, literature, gender studies, film, modernism and -- of course -- Virginia Woolf herself will find the essays in the Edinburgh Companion of considerable interest and appeal at every level.' -- Sarah Powell, Bradford Library Reference Reviews This book appears at a time when scholarly interest has travelled far down the many tributaries connecting Virginia Woolf to the cultural moment in which she lived and worked. No previous book, however, has attempted an overview of the significance of the arts to Woolf. Hence the need for this all encompassing endeavour. Its breadth of interest catches many topics, from gardens to the aesthetics of the city, from scrapbooks and journalism to dance, music, film, photography and the theatre. It is rich in overlap and fertile creative tensions. Its catholicity also embraces differing levels of debate and a range of methodologies. In some areas it summarises existing knowledge, in others it sets up new avenues of enquiry. But, as a whole, this is a richly variegated assortment of essays. It will, for a long time, remain a most useful compendium. The Edinburgh Companion to Virginia Woolf and the Arts gathers a stellar group of scholars to exemplify the range and depth of Woolf's engagement with the arts. This remarkable collection shows that whether engaged with music, painting, dance, cinema, fashion, photography, decoration or entertaining, Woolf stands at the heart of the dynamism and innovations of twentieth-century aesthetics. The Companion will be a rich and provocative resource for anyone with an interest in modern culture. 'Editor Maggie Humm and colleagues can certainly be congratulated on succeeding in this exhaustive and groundbreaking task! Almost every book, essay and autobiographical detail of the author have been seamlessly bound together with the broadest definition of art, from script to screen, page to performance -- making the Edinburgh Companion an invaluable resource for the "common reader" and students of art alike ... Scholars of art, literature, gender studies, film, modernism and -- of course -- Virginia Woolf herself will find the essays in the Edinburgh Companion of considerable interest and appeal at every level.'
Table of ContentsCited editions of Virginia Woolf and Abbreviations; List of Figures; List of Plates; Virginia Woolf and the Arts, Maggie Humm; Part 1: Aesthetics; 1. Virginia Woolf and Victorian Aesthetics, Kate Flint; 2. Virginia Woolf and Modernist Aesthetics, Jane Goldman; 3. Virginia Woolf and Bloomsbury, Anthony Uhlmann; Aesthetics; 4. Virginia Woolf: Performing Race, Gretchen Holbrook Gerzina; 5. Virginia Woolf and City Aesthetics, Vara S. Neverow; 6. Virginia Woolf and Realist Aesthetics, Linden Peach; Part 2: Paintings; 7. Virginia Woolf, Vanessa Bell and Painting, Diane F. Gillespie; 8. Virginia Woolf, Art Galleries and Museums, Benjamin Harvey; 9. Virginia Woolf and Portraiture, Elizabeth Hirsh; Part 3: Domestic Arts; 10. Virginia Woolf and Monks House, Victoria Rosner; 11. Virginia Woolf and Fashion, Jane Garrity; 12. Virginia Woolf and Bohemian Lifestyles, Liz and Peter Brooker; 13. Virginia Woolf and Entertaining, Makiko Minow-Pinkney; 14. Virginia Woolf and Gardens, Nuala Hancock; Part 4: Publishing, Broadcasting & Technology; 15. Virginia Woolf as Publisher and Editor: The Hogarth Press, Laura Marcus; 16. Virginia Woolf and Book Design, Tony Bradshaw; 17. Virginia Woolf and Scrapbooking, Merry M. Pawlowski; 18. Virginia Woolf and the Art of Journalism, Patrick Collier; 19. Virginia Woolf, Radio, Gramophone, Broadcasting, Pamela L. Caughie; Part 5: Visual Media; 20. Virginia Woolf and Film, Leslie K. Hankins; 21. Virginia Woolf and Photography, Colin Dickey;22. Virginia Woolf Icon, Brenda R. Silver; Part 6: Performance Arts; 23. Virginia Woolf and Music, Joyce E. Kelley; 24. Virginia Woolf and Theatre, Steven Putzel; 25. Virginia Woolf and Dance, Evelyn Haller; Notes on Contributors; Index.
