Description

This is the second volume in a new paperback edition of Steve Nicholson’s well-reviewed four-volume analysis of British theatre censorship from 1900-1968, based on previously undocumented material in the Lord Chamberlain's Correspondence Archives in the British Library and the Royal Archives at Windsor. It covers the period from 1933 to 1952, and focuses on theatre censorship during the period before the outbreak of the Second World War, during the war itself, and in the immediate post-war period. The focus is primarily on political and moral censorship. The book documents and analyses the control exercised by the Lord Chamberlain. It also reviews the pressures exerted on him and on the theatre by the government, the monarch, the Church, foreign embassies and by influential public figures and organisations.

This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.

DOI: https://doi.org/10.47788/SGLU9228

The Censorship of British Drama 1900-1968 Volume 2: 1933-1952

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Hardback by Steve Nicholson

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This is the second volume in a new paperback edition of Steve Nicholson’s well-reviewed four-volume analysis of British theatre censorship... Read more

    Publisher: University of Exeter Press
    Publication Date: 01/09/2005
    ISBN13: 9780859896979, 978-0859896979
    ISBN10: 859896978

    Number of Pages: 440

    Non Fiction , Art & Photography

    Description

    This is the second volume in a new paperback edition of Steve Nicholson’s well-reviewed four-volume analysis of British theatre censorship from 1900-1968, based on previously undocumented material in the Lord Chamberlain's Correspondence Archives in the British Library and the Royal Archives at Windsor. It covers the period from 1933 to 1952, and focuses on theatre censorship during the period before the outbreak of the Second World War, during the war itself, and in the immediate post-war period. The focus is primarily on political and moral censorship. The book documents and analyses the control exercised by the Lord Chamberlain. It also reviews the pressures exerted on him and on the theatre by the government, the monarch, the Church, foreign embassies and by influential public figures and organisations.

    This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.

    DOI: https://doi.org/10.47788/SGLU9228

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