Description

Longlisted for the Republic of Consciousness Prize 2019. Shortlisted for The Goldsmiths Prize 2018. Gabriel Josipovici's The Cemetery in Barnes is a short, intense novel that opens in elegiac mode, advances quietly towards something dark and disturbing, before ending with an eerie calm. Its three plots, relationships and time-scales are tightly woven into a single story; three voices - as in an opera by Monteverdi - provide the soundtrack, enhanced by a chorus of friends and acquaintances. The main voice is that of a translator who moves from London to Paris and then to Wales, the setting for an unexpected conflagration. The ending at once confirms and suspends the reader's darkest intuitions. The Cemetery in Barnes reaffirms Josipovici's status as `one of the very best writers now at work in the English language, and a man whose writing, both in fiction and in critical studies, displays a unity of sensibility and intelligence and deep feeling difficult to overvalue at any time' (Guardian).

The Cemetery in Barnes: A Novel

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Paperback / softback by Gabriel Josipovici

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Longlisted for the Republic of Consciousness Prize 2019. Shortlisted for The Goldsmiths Prize 2018. Gabriel Josipovici's The Cemetery in Barnes... Read more

    Publisher: Carcanet Press Ltd
    Publication Date: 29/03/2018
    ISBN13: 9781784105464, 978-1784105464
    ISBN10: 1784105465

    Number of Pages: 104

    Fiction , Crime & Thriller

    Description

    Longlisted for the Republic of Consciousness Prize 2019. Shortlisted for The Goldsmiths Prize 2018. Gabriel Josipovici's The Cemetery in Barnes is a short, intense novel that opens in elegiac mode, advances quietly towards something dark and disturbing, before ending with an eerie calm. Its three plots, relationships and time-scales are tightly woven into a single story; three voices - as in an opera by Monteverdi - provide the soundtrack, enhanced by a chorus of friends and acquaintances. The main voice is that of a translator who moves from London to Paris and then to Wales, the setting for an unexpected conflagration. The ending at once confirms and suspends the reader's darkest intuitions. The Cemetery in Barnes reaffirms Josipovici's status as `one of the very best writers now at work in the English language, and a man whose writing, both in fiction and in critical studies, displays a unity of sensibility and intelligence and deep feeling difficult to overvalue at any time' (Guardian).

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