Description

The history of animated cartoons has been dominated by Walt Disney, giving the impression that he perfected the medium. In reality, it was the work of several pioneers. Max Fleischer-inventor of the rotoscope technique of tracing animation frame by frame over live-action footage-was one of the most prominent.

By the 1930s, Fleischer and Disney were the leading producers of animated films but took opposite approaches. Fleischer's work showed elements of German Expressionism and organic progression, in contrast to Disney's naturalism. As a result, Fleischer's cartoons were rough rather than refined, commercial rather than artistic-yet with an artistry of their own. Both animators sought to create images and action that violated physical laws, supporting Fleischer's maxim: ""If it can be done in real life, it isn't animation."" This book covers his life and work, with rare illustrations detailing the technical aspects of his craft.

The Art and Inventions of Max Fleischer: American Animation Pioneer

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£40.15

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Paperback / softback by Ray Pointer

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The history of animated cartoons has been dominated by Walt Disney, giving the impression that he perfected the medium. In... Read more

    Publisher: McFarland & Co Inc
    Publication Date: 30/01/2017
    ISBN13: 9781476663678, 978-1476663678
    ISBN10: 147666367X

    Number of Pages: 320

    Non Fiction , Biography

    Description

    The history of animated cartoons has been dominated by Walt Disney, giving the impression that he perfected the medium. In reality, it was the work of several pioneers. Max Fleischer-inventor of the rotoscope technique of tracing animation frame by frame over live-action footage-was one of the most prominent.

    By the 1930s, Fleischer and Disney were the leading producers of animated films but took opposite approaches. Fleischer's work showed elements of German Expressionism and organic progression, in contrast to Disney's naturalism. As a result, Fleischer's cartoons were rough rather than refined, commercial rather than artistic-yet with an artistry of their own. Both animators sought to create images and action that violated physical laws, supporting Fleischer's maxim: ""If it can be done in real life, it isn't animation."" This book covers his life and work, with rare illustrations detailing the technical aspects of his craft.

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