Description

Book Synopsis

It is generally accepted that Revelation’s heavenly scenes were intended to demonstrate that God continued to exercise his control even when the audience’s experience might suggest otherwise. In The Abyss in Revelation, Edward Gudeman argues that even though the scenes of the underworld and its inhabitants are describing reality from the opposite perspective, they declare God’s sovereignty and power in an equally powerful way.

Examining the motif and imagery of the abyss and the sea in Old Testament, New Testament, Greco-Roman, and Second Temple Jewish writings, Gudeman identifies traditions that John appropriates in Revelation in order to create his unique vision of the abyss. Gudeman shows that the abyss and related concepts in Revelation are variously envisioned as the abode of evil creatures, the place from which they exit, and a prison that holds them captive. In all of this, John consistently demonstrates that God is in control of the activity of Satan and demonic beings and that their destruction is both planned and certain.

Original and convincing, this volume sheds light on Revelation’s message about how God responds to evil and advances our understanding of several interpretive problems related to the abyss and its inhabitants. Biblical scholars especially will benefit from Gudeman’s research.



Trade Review

“Edward Gudeman’s The Abyss in Revelation provides a tradition-critical approach to the concept of the abyss in Revelation, exploring its roots in the Hebrew Bible and relevant later Jewish literature before examining the ways that Revelation develops these ideas to its unique end. Gudeman makes a compelling case for the centrality of the abyss in Revelation as it reflects the domain of evil overcome by the victory of Jesus.”

—Alexander P. Thompson Review of Biblical Literature

The Abyss in Revelation: A View from Below

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    A Hardback by Edward Gudeman

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      View other formats and editions of The Abyss in Revelation: A View from Below by Edward Gudeman

      Publisher: Pennsylvania State University Press
      Publication Date: 07/09/2021
      ISBN13: 9781646021338, 978-1646021338
      ISBN10: 1646021339

      Description

      Book Synopsis

      It is generally accepted that Revelation’s heavenly scenes were intended to demonstrate that God continued to exercise his control even when the audience’s experience might suggest otherwise. In The Abyss in Revelation, Edward Gudeman argues that even though the scenes of the underworld and its inhabitants are describing reality from the opposite perspective, they declare God’s sovereignty and power in an equally powerful way.

      Examining the motif and imagery of the abyss and the sea in Old Testament, New Testament, Greco-Roman, and Second Temple Jewish writings, Gudeman identifies traditions that John appropriates in Revelation in order to create his unique vision of the abyss. Gudeman shows that the abyss and related concepts in Revelation are variously envisioned as the abode of evil creatures, the place from which they exit, and a prison that holds them captive. In all of this, John consistently demonstrates that God is in control of the activity of Satan and demonic beings and that their destruction is both planned and certain.

      Original and convincing, this volume sheds light on Revelation’s message about how God responds to evil and advances our understanding of several interpretive problems related to the abyss and its inhabitants. Biblical scholars especially will benefit from Gudeman’s research.



      Trade Review

      “Edward Gudeman’s The Abyss in Revelation provides a tradition-critical approach to the concept of the abyss in Revelation, exploring its roots in the Hebrew Bible and relevant later Jewish literature before examining the ways that Revelation develops these ideas to its unique end. Gudeman makes a compelling case for the centrality of the abyss in Revelation as it reflects the domain of evil overcome by the victory of Jesus.”

      —Alexander P. Thompson Review of Biblical Literature

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