Description
Book SynopsisThe portico is one of the most characteristic and significant features of western architecture and, yet, perhaps, also one of the least closely observed. Redolent of Antiquity and comprising the essential vocabulary of classical architecture in the form of the orders – columns, entablatures and, usually, pediments – it evokes past glories and epitomizes the modular system of design that is central to that architecture. It has often played a key role in, or acted as a barometer of, stylistic innovations. Used widely in Antiquity, especially in temples, the portico suffered a decline following the dissolution of Roman imperial authority in the West. However, sufficient literary and physical remains survived which, when viewed in particular ways, enabled it to regain a central position in architecture, following the Renaissance. Revived in Italy, it was subsequently adopted elsewhere in Europe and eventually in this country, and it is to the tentative introduction of the portico to Britain in the early seventeenth century, its widespread use throughout the eighteenth and much of the nineteenth centuries, and the beginning of its decline towards the end of our period, that this study is devoted.
Table of ContentsPreface ;
I The Portico ;
1 Introduction ;
2 Definitions ;
3 Summary and Note on Portico Types ;
II From Frontispiece to Portico in Great Britain ;
1 Introduction ;
2 Frontispieces ;
3 Porches and Loggia Porticoes ;
4 Summary ;
III Inigo Jones and the Palladian Portico ;
1 Introduction ;
2 Temple and Church ;
3 Summary ;
IV The Baroque Portico ;
1 Jones, Webb, and the Baroque ;
2 Webb, Wren and the Baroque Church ;
3 Hawksmoor, Vanbrugh and Archer ;
4 Fifty New Churches ;
5 Temple Front and Portico in the English Baroque ;
6 Summary ;
V The Portico in English Neo-Palladianism ;
1 Introduction ;
2 The Reinstatement of Inigo Jones and Palladio ;
3 Palladio and Porticoes ;
4 The English Country House and its Functions ;
5 The Disadvantages of Porticoes ;
6 Summary ;
VI Neo-Classicism and the Greek Revival Portico ;
1 Introduction ;
2 Neo-Classicism: Imitation and Originality ;
3 Visual Effect: The Rule and the Eye ;
4 Architectural Association ;
5 The Associations of Grecian and Greek Architecture ;
6 The Greek Revival: A Tentative Beginning ;
7 The Greek and Roman Debate ;
8 Greece Revived ;
VII The Decline of the Portico ;
VIII Conclusion ;
Appendix: Summary and Chronologies of the First Introductions and Principal Uses of the Architectural Orders in the Entrance-Porticoes of Great Britain, 1630-1850 ;
Bibliography ;
Plates ;
Index
