Description

Chapter 1-Introduction: On the history, ideology, and aesthetics of Swedish children's cinema.- Part I: Histories Of a Nation.- Chapter 2. D'ya know where they're from?': Migrants in Swedish children's film.- Chapter 3. Beauties and beasts: On the child-nature relationship in Swedish children's film. -Chapter 4. Like other kids, yet different: Sámi children in Swedish children's film.- Chapter 5. Beyond subjugation and stereotype: The representation of girls in Comedy Queen.- Part II: Ideologies of Childhoods.- Chapter 6. The prankster, the funster, and the overhelper: The comedy of mischief in the Swedish folkhem.- Chapter 7. Foolish fathers in Swedish family film: Involved fatherhood and middle-class masculinity as spectacle.- Chapter 8. A relationship revolution: Child-centred parenthood in contemporary children's cinema.- Chapter 9. The movie ended quite well, but not that well, and I liked that because that's ho

Swedish Childrens Cinema

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Hardback by Malena Janson

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Chapter 1-Introduction: On the history, ideology, and aesthetics of Swedish children's cinema.- Part I: Histories Of a Nation.- Chapter 2. D'ya... Read more

    Publisher: Palgrave Macmillan
    Publication Date: 8/10/2024
    ISBN13: 9783031570001, 978-3031570001
    ISBN10: 3031570006

    Non Fiction , Entertainment

    Description

    Chapter 1-Introduction: On the history, ideology, and aesthetics of Swedish children's cinema.- Part I: Histories Of a Nation.- Chapter 2. D'ya know where they're from?': Migrants in Swedish children's film.- Chapter 3. Beauties and beasts: On the child-nature relationship in Swedish children's film. -Chapter 4. Like other kids, yet different: Sámi children in Swedish children's film.- Chapter 5. Beyond subjugation and stereotype: The representation of girls in Comedy Queen.- Part II: Ideologies of Childhoods.- Chapter 6. The prankster, the funster, and the overhelper: The comedy of mischief in the Swedish folkhem.- Chapter 7. Foolish fathers in Swedish family film: Involved fatherhood and middle-class masculinity as spectacle.- Chapter 8. A relationship revolution: Child-centred parenthood in contemporary children's cinema.- Chapter 9. The movie ended quite well, but not that well, and I liked that because that's ho

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