Description

An illustrated examination of a work—a Warhol that isn''t by Warhol—that embodies a shift in attitudes about artistic authorship and originality.

Warhol Marilyn (1965) is not a work by Andy Warhol but by the artist Elaine Sturtevant (1930-2014). Throughout her career, Sturtevant (as she preferred to be called) remade and exhibited works by other contemporary artists, among them Jasper Johns, Roy Lichtenstein, and Robert Rauschenberg. For Warhol Marilyn, Sturtevant used one of Warhol''s own silkscreens from his series of Marilyn printed multiples. (When asked how he made his silkscreened work, Warhol famously answered, “I don''t know. Ask Elaine.”) In this book, Patricia Lee examines Warhol Marilyn as representing a shift in thinking about artistic authorship and originality, highlighting a decisive moment in the rethinking of the contemporary artwork.

Lee describes the cognitive dissonance a viewer might feel on learning the i

Sturtevant

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Paperback by Patricia Lee

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Short Description:

An illustrated examination of a work—a Warhol that isn''t by Warhol—that embodies a shift in attitudes about artistic authorship and... Read more

    Publisher: Afterall Publishing
    Publication Date: 1/19/2016
    ISBN13: 9781846381638, 978-1846381638
    ISBN10: 1846381630

    Non Fiction , Art & Photography

    Description

    An illustrated examination of a work—a Warhol that isn''t by Warhol—that embodies a shift in attitudes about artistic authorship and originality.

    Warhol Marilyn (1965) is not a work by Andy Warhol but by the artist Elaine Sturtevant (1930-2014). Throughout her career, Sturtevant (as she preferred to be called) remade and exhibited works by other contemporary artists, among them Jasper Johns, Roy Lichtenstein, and Robert Rauschenberg. For Warhol Marilyn, Sturtevant used one of Warhol''s own silkscreens from his series of Marilyn printed multiples. (When asked how he made his silkscreened work, Warhol famously answered, “I don''t know. Ask Elaine.”) In this book, Patricia Lee examines Warhol Marilyn as representing a shift in thinking about artistic authorship and originality, highlighting a decisive moment in the rethinking of the contemporary artwork.

    Lee describes the cognitive dissonance a viewer might feel on learning the i

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