Description

Book Synopsis
In this second volume of Professor White's studies, the emphasis shifts to Italian art in the thirteenth and fourteenth centuries, and the major figures who were responsible for the decisive changes in painting and sculpture that were to lead on to the Renaissance. Here again, however, there is the same concern with the actual monuments.

Table of Contents
Preface

The Reconstruction of Nicola Pisano's Perugia Fountain

The Reliefs on the Facade of the Duomo at Orvieto

Cavallini and the Lost Frescoes in S. Paolo

The Date of the 'Legend of St. Francis' at Assisi

Cimabue and the Decorative Sequence in the Upper Church of S. Francesco, Assisi

Cimabue and Assisi: Working Methods and Art Historical Consequences

Measurement, Design and Carpentry in Duccio's Maestà, Parts I and II

Carpentry and Design in Duccio's Workshop The Boston and London Triptychs

Giotto's Use of Architecture in the Expulsion of Joachim and The Entry into Jerusalem at Padua

The Reconstruction of the Polyptych ascribed to Guariento in the Collection of the Norton Simon Foundation

Additional Notes

Index

Studies in Late Medieval Italian Art

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    A Hardback by John White

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      Book details

      Publisher Pindar Press
      Published 31 December 1984
      ISBN-13 9780907132110
      978-0907132110
      ISBN-10 907132111

      Description

      Book Synopsis
      In this second volume of Professor White's studies, the emphasis shifts to Italian art in the thirteenth and fourteenth centuries, and the major figures who were responsible for the decisive changes in painting and sculpture that were to lead on to the Renaissance. Here again, however, there is the same concern with the actual monuments.

      Table of Contents
      Preface

      The Reconstruction of Nicola Pisano's Perugia Fountain

      The Reliefs on the Facade of the Duomo at Orvieto

      Cavallini and the Lost Frescoes in S. Paolo

      The Date of the 'Legend of St. Francis' at Assisi

      Cimabue and the Decorative Sequence in the Upper Church of S. Francesco, Assisi

      Cimabue and Assisi: Working Methods and Art Historical Consequences

      Measurement, Design and Carpentry in Duccio's Maestà, Parts I and II

      Carpentry and Design in Duccio's Workshop The Boston and London Triptychs

      Giotto's Use of Architecture in the Expulsion of Joachim and The Entry into Jerusalem at Padua

      The Reconstruction of the Polyptych ascribed to Guariento in the Collection of the Norton Simon Foundation

      Additional Notes

      Index

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