Description
Book SynopsisStaging Personhood uncovers a hidden history of the Ming-Qing transition by exploring what it meant for the clothing of a deposed dynasty to survive onstage. Reading dramatic texts and performances against Qing sartorial regulations, Guojun Wang offers an interdisciplinary lens on the entanglements between Chinese drama and nascent Manchu rule.
Trade ReviewA cogently written and deeply researched book, full of interpretative insights and rarely discussed materials. An important contribution to the study of Qing literature and history, this book will be a rich trove for all scholars interested in performances of gender and ethnicity in the early modern world. * Journal of Asian Studies *
The arguments that Wang makes are richly detailed and compelling. I strongly recommend it to people interested in gender and ethnicity in the Qing, as well as scholars of fiction and drama. * International Journal of Comparative Literature *
Benefit[s] scholars and students whose interest are not just limited to traditional Chinese theater or late imperial China, but more broadly in historical understandings of the Manchu empire and boundaries between self and others in terms of ethnic and gender relations. * Nan Nu *
An exciting read even for those who know very little about Chinese or theater history. It is delicately edited and presented in a manner that is easy to grasp while also offering a wealth of complex information and philosophical interpretations of this historic contextualization. * Pennsylvania Literary Journal *
By excavating how the individual body was transformed and how personhood, identity, and cultural mentality were shaped through costuming in literary writing, Wang refreshingly recenters the body in the study of classical Chinese dramatic literature. * Theatre Journal *
The result of Wang’s skilful deconstruction of early Qing costuming is a rich piece of scholarship[.] * East Asian Journal of Popular Culture *
A marvelous piece of scholarship,
Staging Personhood presents an exhaustive study of the function of clothing on stage and off. While speaking to issues of sexuality, gender, masculinity, and status in real society, the book goes beyond the existing literature to introduce the body as a symbolic marker and site of detailed and sustained discourse. -- Stephen H. West, coeditor of
The Orphan of Zhao and Other Yuan Plays: The Earliest Known VersionsIn this thoughtful and richly informative study of theatrical costume in the early Qing, Guojun Wang explores the dramatic transformation in the clothing and hairstyles of Han Chinese men through actual drama. Plunged into the imagined worlds created for audiences of long ago, the reader emerges from
Staging Personhood with a sense of the play between costume and clothing, the theatrical and the everyday, that produced the sartorial landscape of early Qing China. -- Antonia Finnane, author of
Changing Clothes in China: Fashion, History, NationA refreshing book that will encourage readers and researchers to pay closer attention to the modes and codes of theatrical costuming in association with issues of ethnicity, gender, and individual identities, embedded in the specific context of early Qing China. -- Tian Yuan Tan, author of
Passion, Romance, and Qing: The World of Emotions and States of Mind in “Peony Pavilion”Solidly felted, seamlessly knitted, and shrewdly illuminative, Guojun Wang’s scholarship is a brocade of erudition—or should I say, a magician’s cloak, waving for overdue attention to the disappearing act of Qing stage costumes and their ghostly presence. Sharply revealed in Wang’s needle eye, class, gender, ethnicity, and, above all, time-space are no longer set fault lines of history, but are themselves warped and woven to the effect of costumed personhood. -- Ling Hon Lam, author of
The Spatiality of Emotion in Early Modern China: From Dreamscapes to TheatricalityWang has uncovered a fascinating context for studying Chinese theater that has been hiding in plain sight...This is a book that repays more than one reading. * T'oung Pao *
Table of ContentsAcknowledgments
Introduction: Costuming as Method
1. Ways to Dress and Ways to See
2. Across Genders and Ethnicities
3. Between Family and State
4. The Chaste Lady Immortal of Seamless Stitching
5. From State Attire to Stage Prop
Epilogue: Dressing Other and Self
Appendix 1: Extant Editions of
A Ten-Thousand-Li ReunionAppendix 2: Scene Synopsis of
A Ten-Thousand-Li ReunionNotes
Works Cited
Index
