Description

Book Synopsis
Son of Spinoza sheds light on the interconnectedness between Jewishness and cosmopolitanism in the oeuvre of the Danish-Jewish intellectual Georg Brandes (1842-1927). Today, the historical tradition of interconnecting these concepts has largely been forgotten, although the construction of a somewhat synonymous relation between them became a key structuring element of modern antisemitism and later Nazi ideology. In this context, Georg Brandes–his writing and practice–stands as a crucial European cosmopolitan archive, due to the great influence he enjoyed throughout the European continent.

Son of Spinoza challenges the presentation of Brandes in previous research as a so-called assimilated Jew who distanced himself from Jewishness, instead recognizing Brandes’ own self-identification as a Spinozist cosmopolitan and his depiction of himself and other modern Jews as ‘sons of Spinoza’.

Son of Spinoza: Georg Brandes and Modern Jewish

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    A Hardback by Søren Blak Hjortshøj

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      View other formats and editions of Son of Spinoza: Georg Brandes and Modern Jewish by Søren Blak Hjortshøj

      Publisher: Aarhus University Press
      Publication Date: 05/06/2021
      ISBN13: 9788772190181, 978-8772190181
      ISBN10: 8772190183

      Description

      Book Synopsis
      Son of Spinoza sheds light on the interconnectedness between Jewishness and cosmopolitanism in the oeuvre of the Danish-Jewish intellectual Georg Brandes (1842-1927). Today, the historical tradition of interconnecting these concepts has largely been forgotten, although the construction of a somewhat synonymous relation between them became a key structuring element of modern antisemitism and later Nazi ideology. In this context, Georg Brandes–his writing and practice–stands as a crucial European cosmopolitan archive, due to the great influence he enjoyed throughout the European continent.

      Son of Spinoza challenges the presentation of Brandes in previous research as a so-called assimilated Jew who distanced himself from Jewishness, instead recognizing Brandes’ own self-identification as a Spinozist cosmopolitan and his depiction of himself and other modern Jews as ‘sons of Spinoza’.

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