Description

What kind of literature is the Talmud? To answer this question, Daniel Boyarin looks to an unlikely source: the dialogues of Plato. In these ancient texts he finds similarities, both in their combination of various genres and topics and in their dialogic structure. But Boyarin goes beyond these structural similarities, arguing also for a cultural relationship. In "Socrates and the Fat Rabbis", Boyarin suggests that both the Platonic and the Talmudic dialogues are not dialogic at all. Using Mikhail Bakhtin's notion of represented dialogue and real dialogism, Boyarin demonstrates, through multiple close readings, that the give-and-take in these texts is actually much closer to a monologue in spirit. At the same time, he shows that there is a dialogism in both texts on a deeper structural level between a voice of philosophical or religious dead seriousness and a voice from within that mocks that very high solemnity. Boyarin ultimately singles out Menippean satire as the most important genre through which to understand both the Talmud and Plato, emphasizing their seriocomic peculiarity. An innovative advancement in rabbinic studies, as well as a bold and controversial new way of reading Plato, "Socrates and the Fat Rabbis" makes a major contribution to scholarship on thought and culture of the ancient Mediterranean.

Socrates and the Fat Rabbis

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Paperback / softback by Daniel Boyarin

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What kind of literature is the Talmud? To answer this question, Daniel Boyarin looks to an unlikely source: the dialogues... Read more

    Publisher: The University of Chicago Press
    Publication Date: 15/06/2012
    ISBN13: 9780226069173, 978-0226069173
    ISBN10: 0226069176

    Number of Pages: 408

    Non Fiction , Religion

    Description

    What kind of literature is the Talmud? To answer this question, Daniel Boyarin looks to an unlikely source: the dialogues of Plato. In these ancient texts he finds similarities, both in their combination of various genres and topics and in their dialogic structure. But Boyarin goes beyond these structural similarities, arguing also for a cultural relationship. In "Socrates and the Fat Rabbis", Boyarin suggests that both the Platonic and the Talmudic dialogues are not dialogic at all. Using Mikhail Bakhtin's notion of represented dialogue and real dialogism, Boyarin demonstrates, through multiple close readings, that the give-and-take in these texts is actually much closer to a monologue in spirit. At the same time, he shows that there is a dialogism in both texts on a deeper structural level between a voice of philosophical or religious dead seriousness and a voice from within that mocks that very high solemnity. Boyarin ultimately singles out Menippean satire as the most important genre through which to understand both the Talmud and Plato, emphasizing their seriocomic peculiarity. An innovative advancement in rabbinic studies, as well as a bold and controversial new way of reading Plato, "Socrates and the Fat Rabbis" makes a major contribution to scholarship on thought and culture of the ancient Mediterranean.

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