Description

Most discussions of socialist development within nation-states focus exclusively on the state, leaving civil society out of the picture. By looking into the realm of theatre in two socialist states, Randy Martin finds a way of broadening this view. An ethnography of theatre and political culture in Cuba and Nicaragua, his work reveals the tensions and negotiations among different dimensions of society that characterize the socialist project. Theatre, Martin shows us, is a particularly elastic expression of aesthetic and organizational form that can prefigure broader social developments. The critical sensibility displayed there, taking its cues from cultural processes beyond the stage, is indicative of the ongoing reformation of the socialist project. Martin considers Nicaragua through the Sandanista and Chamorro administrations, and Cuba from the time of reform, known as rectification through the withdrawal of Soviet aid.

Socialist Ensembles: Theater and State in Cuba and Nicaragua

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Hardback by Randy Martin

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Most discussions of socialist development within nation-states focus exclusively on the state, leaving civil society out of the picture. By... Read more

    Publisher: University of Minnesota Press
    Publication Date: 03/10/1994
    ISBN13: 9780816624805, 978-0816624805
    ISBN10: 0816624801

    Number of Pages: 255

    Non Fiction , Art & Photography

    Description

    Most discussions of socialist development within nation-states focus exclusively on the state, leaving civil society out of the picture. By looking into the realm of theatre in two socialist states, Randy Martin finds a way of broadening this view. An ethnography of theatre and political culture in Cuba and Nicaragua, his work reveals the tensions and negotiations among different dimensions of society that characterize the socialist project. Theatre, Martin shows us, is a particularly elastic expression of aesthetic and organizational form that can prefigure broader social developments. The critical sensibility displayed there, taking its cues from cultural processes beyond the stage, is indicative of the ongoing reformation of the socialist project. Martin considers Nicaragua through the Sandanista and Chamorro administrations, and Cuba from the time of reform, known as rectification through the withdrawal of Soviet aid.

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