This survey of Sally Potter’s work explores her cinematic development from the feminist reworking ofLa BohèmeinThrillerto the provocative contemplation of romantic relationships after 9/11 inYes.Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual.
Potter has relentlessly struggled against predictability and safe options. Again and again, her works grapple with the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potter’s films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, and traveling and interacting with people. At the heart of Potter’s work is a concern with the ways na
Trade Review
“A first-rate study of an important contemporary director. Catherine Fowler’s writing is lucid and readable, and she traces with confidence the myriad cultural influences that shaped Potter’s aesthetic.”--Virginia Wright Wexman, coeditor of Women and Experimental Filmmaking
