Description

For four decades, Roger Shimomura’s paintings, prints, and theatre pieces have addressed sociopolitical issues of Asian America. He does this through a style that combines his childhood interest in comic books, American Pop Art, and traditions of Japanese woodblock prints, thereby evoking his Japanese ancestry while locating him firmly within modern American artistic developments. Through this artistic device, he is able to bring together a wild mixture of compositions that offer up patterns of criticism within visually compelling works of sumptuous color and lighthearted Pop directness.

In his recent work, under the banner, An American Knockoff (2009 to the present), Shimomura has taken on the long tradition of self-portraiture through the radical lens of cultural conflict. Two thematic directions – assimilation and resistance – are often fused together as the artist inserts himself as an aging Asian Everyman in various guises and situations, both funny and poignant.

Roger Shimomura: An American Knockoff

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Hardback by Anne Goodyear , Chris Bruce

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For four decades, Roger Shimomura’s paintings, prints, and theatre pieces have addressed sociopolitical issues of Asian America. He does this... Read more

    Publisher: University of Washington Press
    Publication Date: 01/01/2015
    ISBN13: 9780975566275, 978-0975566275
    ISBN10: 097556627X

    Number of Pages: 64

    Non Fiction , Art & Photography

    Description

    For four decades, Roger Shimomura’s paintings, prints, and theatre pieces have addressed sociopolitical issues of Asian America. He does this through a style that combines his childhood interest in comic books, American Pop Art, and traditions of Japanese woodblock prints, thereby evoking his Japanese ancestry while locating him firmly within modern American artistic developments. Through this artistic device, he is able to bring together a wild mixture of compositions that offer up patterns of criticism within visually compelling works of sumptuous color and lighthearted Pop directness.

    In his recent work, under the banner, An American Knockoff (2009 to the present), Shimomura has taken on the long tradition of self-portraiture through the radical lens of cultural conflict. Two thematic directions – assimilation and resistance – are often fused together as the artist inserts himself as an aging Asian Everyman in various guises and situations, both funny and poignant.

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