Description

Book Synopsis

Resonant learning allows students to develop and fine-tune their therapeutic competencies through first-hand experiences: being in client roles themselves, being in preliminary therapist roles with co-students in client roles and reflecting on those experiences. These resonant learning processes are preparatory steps in developing a professional music therapist identity through internship and later employment positions and continuing supervision. Outlining the Aalborg model of resonant learning, developed at Aalborg University, Denmark, Resonant Learning in Music Therapy discusses the benefits and drawbacks of 'tuning the therapist' and encourages its integration into music therapy courses around the world.

The book sums up research on resonant learning and presents core exercises, directives and vignettes from the training processes of the Aalborg model. Explaining how students' self-agency is enhanced by long-term personal experiences in group- and individual therapy, observing work with clients in an institutional setting, working with clients themselves, and undergoing close group and individual supervision, the editors and contributors also explore the benefits of implementing resonant learning within other therapist training programs and healthcare professions.



Trade Review
Resonant Learning in Music Therapy is highly recommended, demonstrating experiential learning and developmental processes to foster a reflecting music therapy practitioner. -- Gro Trondalen, Ph.D. Norwegian Academy of Music
A magnificent book! It sums up the basic ideas of music therapy education and is committed to the co-creativity of learning processes between both teachers and students and authors and readers. -- Prof. Dr. Susanne Metzner, Augsburg University

Table of Contents

Acknowledgements
Foreword 1 Søren Willert
Foreword 2 Helen Odell-Miller
Introduction Inge Nygaard Pedersen, Charlotte Lindvang and Bolette Daniels Beck

1. Tuning the coming music therapist by Charlotte Lindvang, Inge Nygaard Pedersen and Bolette Daniels Beck
2. Therapeutic training in the Aalborg music therapy program by Charlotte Lindvang, Inge Nygaard Pedersen and Bolette Daniels Beck
3. From psychoanalysis to an integrative approach based on a modern psychodynamic ground
by Charlotte Lindvang, Inge Nygaard Pedersen and Bolette Daniels Beck
4. Three personal being-and communication spaces - a prototype exercise by Inge Nygaard Pedersen
5. Group training therapy by Charlotte Lindvang
6. Therapy related body and voice work by Sanne Storm
7. Clinical group music therapy skills (CGMS) by Niels Hannibal and Stine Lindahl Jacobsen
8. Individual training therapy by Charlotte Lindvang
9. Psychodynamic oriented music therapeutic group leading - a learning space with multiple levels of experience and reflection by Bolette Daniels Beck
10. Intertherapy by Inge Nygaard Pedersen
11. Guided Imagery and Music (GIM level 1) as a part of therapeutic training in a university program
by Bolette Daniels Beck, Charlotte Lindvang & Lars Ole Bonde
12. Clinical supervision for internship students by Inge Nygaard Pedersen, Ulla Holck & Hanne Mette Ridder

Postludium by Inge Nygaard Pedersen, Charlotte Lindvang & Bolette Daniels Beck

Resonant Learning in Music Therapy: A Training

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    A Paperback / softback by Inge Nygaard Pedersen, Charlotte Lindvang, Bolette Daniels Beck

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      View other formats and editions of Resonant Learning in Music Therapy: A Training by Inge Nygaard Pedersen

      Publisher: Jessica Kingsley Publishers
      Publication Date: 21/10/2022
      ISBN13: 9781849056571, 978-1849056571
      ISBN10: 1849056579

      Description

      Book Synopsis

      Resonant learning allows students to develop and fine-tune their therapeutic competencies through first-hand experiences: being in client roles themselves, being in preliminary therapist roles with co-students in client roles and reflecting on those experiences. These resonant learning processes are preparatory steps in developing a professional music therapist identity through internship and later employment positions and continuing supervision. Outlining the Aalborg model of resonant learning, developed at Aalborg University, Denmark, Resonant Learning in Music Therapy discusses the benefits and drawbacks of 'tuning the therapist' and encourages its integration into music therapy courses around the world.

      The book sums up research on resonant learning and presents core exercises, directives and vignettes from the training processes of the Aalborg model. Explaining how students' self-agency is enhanced by long-term personal experiences in group- and individual therapy, observing work with clients in an institutional setting, working with clients themselves, and undergoing close group and individual supervision, the editors and contributors also explore the benefits of implementing resonant learning within other therapist training programs and healthcare professions.



      Trade Review
      Resonant Learning in Music Therapy is highly recommended, demonstrating experiential learning and developmental processes to foster a reflecting music therapy practitioner. -- Gro Trondalen, Ph.D. Norwegian Academy of Music
      A magnificent book! It sums up the basic ideas of music therapy education and is committed to the co-creativity of learning processes between both teachers and students and authors and readers. -- Prof. Dr. Susanne Metzner, Augsburg University

      Table of Contents

      Acknowledgements
      Foreword 1 Søren Willert
      Foreword 2 Helen Odell-Miller
      Introduction Inge Nygaard Pedersen, Charlotte Lindvang and Bolette Daniels Beck

      1. Tuning the coming music therapist by Charlotte Lindvang, Inge Nygaard Pedersen and Bolette Daniels Beck
      2. Therapeutic training in the Aalborg music therapy program by Charlotte Lindvang, Inge Nygaard Pedersen and Bolette Daniels Beck
      3. From psychoanalysis to an integrative approach based on a modern psychodynamic ground
      by Charlotte Lindvang, Inge Nygaard Pedersen and Bolette Daniels Beck
      4. Three personal being-and communication spaces - a prototype exercise by Inge Nygaard Pedersen
      5. Group training therapy by Charlotte Lindvang
      6. Therapy related body and voice work by Sanne Storm
      7. Clinical group music therapy skills (CGMS) by Niels Hannibal and Stine Lindahl Jacobsen
      8. Individual training therapy by Charlotte Lindvang
      9. Psychodynamic oriented music therapeutic group leading - a learning space with multiple levels of experience and reflection by Bolette Daniels Beck
      10. Intertherapy by Inge Nygaard Pedersen
      11. Guided Imagery and Music (GIM level 1) as a part of therapeutic training in a university program
      by Bolette Daniels Beck, Charlotte Lindvang & Lars Ole Bonde
      12. Clinical supervision for internship students by Inge Nygaard Pedersen, Ulla Holck & Hanne Mette Ridder

      Postludium by Inge Nygaard Pedersen, Charlotte Lindvang & Bolette Daniels Beck

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