Description

This collection of various approaches to early modern England offers readers such pleasures as the most complete bibliography to date of King James's poetry, a unique edition of a memoir by the son of Sir Martin Barnham, as well as new arguments about Skelton, More, Elyot, Marguerite de Navarre, Sidney, Spenser, Daniel, Shakespeare (The Comedy of Errors), the Henriad, Macbeth, The Winter's Tale, Mary Wroth, Isabella Whitney, and Marvell. Here too are new approaches to such topics as the royal succession, Shakespeare's 'bad' quartos, romance, witches, politics, humanism, English and Irish identity, and 'conversations about women,' finishing with an essay about. . .'nothing.' As Arthur Kinney has wryly noted, 'no text is innocent,' and in this volume many texts are made to confess who and what they are.

Renaissance Historicisms: Essays in Honor of Arthur F. Kinney

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£117.26

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Hardback by James M. Dutcher , Anne Lake Prescott

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This collection of various approaches to early modern England offers readers such pleasures as the most complete bibliography to date... Read more

    Publisher: Rowman & Littlefield
    Publication Date: 01/06/2008
    ISBN13: 9781611490732, 978-1611490732
    ISBN10: 1611490731

    Number of Pages: 355

    Non Fiction , ELT & Literary Studies , Education

    Description

    This collection of various approaches to early modern England offers readers such pleasures as the most complete bibliography to date of King James's poetry, a unique edition of a memoir by the son of Sir Martin Barnham, as well as new arguments about Skelton, More, Elyot, Marguerite de Navarre, Sidney, Spenser, Daniel, Shakespeare (The Comedy of Errors), the Henriad, Macbeth, The Winter's Tale, Mary Wroth, Isabella Whitney, and Marvell. Here too are new approaches to such topics as the royal succession, Shakespeare's 'bad' quartos, romance, witches, politics, humanism, English and Irish identity, and 'conversations about women,' finishing with an essay about. . .'nothing.' As Arthur Kinney has wryly noted, 'no text is innocent,' and in this volume many texts are made to confess who and what they are.

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