Description

From Blaise Pascal in the 1600s to Charles Babbage in the first half of the nineteenth century, inventors struggled to create the first calculating machines. All failed but that doesn't mean we can't learn from the trail of ideas, correspondence, machines, and arguments they left behind. In Reckoning with Matter, Matthew Jones draws on the remarkably extensive and well-preserved records of the quest to explore the concrete processes involved in imagining, elaborating, testing, and building calculating machines. He explores the writings of philosophers, engineers, and craftspeople, showing how they thought about technical novelty, their distinctive areas of expertise, and ways they could coordinate their efforts, to argue that the conceptions of creativity and making they exhibited are often more incisive and more honest than those that dominate our current legal, political, and aesthetic culture.

Reckoning with Matter: Calculating Machines, Innovation, and Thinking about Thinking from Pascal to Babbage

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Hardback by Matthew L. Jones

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From Blaise Pascal in the 1600s to Charles Babbage in the first half of the nineteenth century, inventors struggled to... Read more

    Publisher: The University of Chicago Press
    Publication Date: 29/11/2016
    ISBN13: 9780226411460, 978-0226411460
    ISBN10: 022641146X

    Number of Pages: 336

    Non Fiction , Technology, Engineering & Agriculture , Education

    Description

    From Blaise Pascal in the 1600s to Charles Babbage in the first half of the nineteenth century, inventors struggled to create the first calculating machines. All failed but that doesn't mean we can't learn from the trail of ideas, correspondence, machines, and arguments they left behind. In Reckoning with Matter, Matthew Jones draws on the remarkably extensive and well-preserved records of the quest to explore the concrete processes involved in imagining, elaborating, testing, and building calculating machines. He explores the writings of philosophers, engineers, and craftspeople, showing how they thought about technical novelty, their distinctive areas of expertise, and ways they could coordinate their efforts, to argue that the conceptions of creativity and making they exhibited are often more incisive and more honest than those that dominate our current legal, political, and aesthetic culture.

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