Description

Queer Arrangements is a new study of Billy Strayhorn that examines his music and career at the intersection of jazz and Black queer history

The legacy of Black queer composer, arranger and pianist Billy Strayhorn (1915–1967) hovers at the edge of canonical jazz narratives. Queer Arrangements explores the ways in which Strayhorn's identity as an openly gay Black jazz musician shaped his career, including the creative roles he could assume and the dynamics between himself and his collaborators, most famously Duke Ellington, but also iconic singers such as Lena Horne and Ella Fitzgerald. This new portrait of Strayhorn combines critical, historically-situated close readings of selected recordings, scores and performances with biography and cultural theory to pursue alternative interpretive jazz possibilities, Black queer historical routes and sounds. By looking at jazz history through the instrument(s) of Strayhorn's queer arrangements, this book sheds new light on his music and on jazz collaboration at midcentury.

Queer Arrangements: Billy Strayhorn and Midcentury Jazz Collaboration

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£19.71

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Paperback / softback by Lisa Barg

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Queer Arrangements is a new study of Billy Strayhorn that examines his music and career at the intersection of jazz... Read more

    Publisher: Wesleyan University Press
    Publication Date: 03/10/2023
    ISBN13: 9780819500649, 978-0819500649
    ISBN10: 081950064X

    Number of Pages: 288

    Non Fiction , Entertainment

    Description

    Queer Arrangements is a new study of Billy Strayhorn that examines his music and career at the intersection of jazz and Black queer history

    The legacy of Black queer composer, arranger and pianist Billy Strayhorn (1915–1967) hovers at the edge of canonical jazz narratives. Queer Arrangements explores the ways in which Strayhorn's identity as an openly gay Black jazz musician shaped his career, including the creative roles he could assume and the dynamics between himself and his collaborators, most famously Duke Ellington, but also iconic singers such as Lena Horne and Ella Fitzgerald. This new portrait of Strayhorn combines critical, historically-situated close readings of selected recordings, scores and performances with biography and cultural theory to pursue alternative interpretive jazz possibilities, Black queer historical routes and sounds. By looking at jazz history through the instrument(s) of Strayhorn's queer arrangements, this book sheds new light on his music and on jazz collaboration at midcentury.

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