Description

Pushkin and Romantic Fashion is about the interpenetration of culture and personality, specifically Alexander I's Russian Empire, a latecomer in post-Napoleonic European history, and Alexsandr Pushkin, virtuoso improvisor yet prisoner of the Golden Age discourses that now bear his name. It focuses on Pushkin's use of the Romantic fragment, especially the link between the fragment and Romantic irony's fundamental and modern questioning of the sources and intentionality of language. In the view of such irony's most eloquent formulator, Friedrich Schlegel, "identity" does not precede speech, but is forged in each improvisational interaction with interlocutor or reader. One finds out who one is by speaking, and all utterances and texts stand in a fragmentary, contingent relation to an accumulating life-text.

Pushkin and Romantic Fashion: Fragment, Elegy, Orient, Irony

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Paperback / softback by Monika Greenleaf

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Pushkin and Romantic Fashion is about the interpenetration of culture and personality, specifically Alexander I's Russian Empire, a latecomer in... Read more

    Publisher: Stanford University Press
    Publication Date: 01/01/1997
    ISBN13: 9780804727990, 978-0804727990
    ISBN10: 0804727996

    Number of Pages: 428

    Non Fiction , ELT & Literary Studies , Education

    Description

    Pushkin and Romantic Fashion is about the interpenetration of culture and personality, specifically Alexander I's Russian Empire, a latecomer in post-Napoleonic European history, and Alexsandr Pushkin, virtuoso improvisor yet prisoner of the Golden Age discourses that now bear his name. It focuses on Pushkin's use of the Romantic fragment, especially the link between the fragment and Romantic irony's fundamental and modern questioning of the sources and intentionality of language. In the view of such irony's most eloquent formulator, Friedrich Schlegel, "identity" does not precede speech, but is forged in each improvisational interaction with interlocutor or reader. One finds out who one is by speaking, and all utterances and texts stand in a fragmentary, contingent relation to an accumulating life-text.

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