Description

Book Synopsis
Donald Davie's first two prose books (1952, 1955), available now in one volume with a new foreword, set the agenda for 'The Movement' and shaped the critical approach of two generations of readers and teachers of poetry. They have also proven of value to poets finding their way. Intended as 'two stages in one investigation', they provide a brilliantly detailed analysis of the workings of English poetry and remain, with books such as I.A. Richards's "Practical Criticism" and William Empson's "Seven Types of Ambiguity", primary critical texts, reviving attention to poetry at a technical level and, in the process, stirring awake for many readers major (and minor) writers of the late eighteenth century who require special qualities of attention. Davie remains a particularist, proving in insight after insight the deep rewards of close attention. For him poetry is a responsible art; it is not an end in itself but must always 'reek of the human'.

Purity of Diction in English Verse: AND

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    A Paperback / softback by Donald Davie

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      Publisher: Carcanet Press Ltd
      Publication Date: Publication Date: 28/12/2006
      ISBN13: 9781857548891, 978-1857548891
      ISBN10: 1857548892
      Also in:
      ELT & Literary Studies Literary studies: c 1900 to c 2000 Literary studies: poetry and poets

      Description

      Book Synopsis
      Donald Davie's first two prose books (1952, 1955), available now in one volume with a new foreword, set the agenda for 'The Movement' and shaped the critical approach of two generations of readers and teachers of poetry. They have also proven of value to poets finding their way. Intended as 'two stages in one investigation', they provide a brilliantly detailed analysis of the workings of English poetry and remain, with books such as I.A. Richards's "Practical Criticism" and William Empson's "Seven Types of Ambiguity", primary critical texts, reviving attention to poetry at a technical level and, in the process, stirring awake for many readers major (and minor) writers of the late eighteenth century who require special qualities of attention. Davie remains a particularist, proving in insight after insight the deep rewards of close attention. For him poetry is a responsible art; it is not an end in itself but must always 'reek of the human'.

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