Description

This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation. Here is a colorful and well-researched representation of Alvin Lustig's book cover designs that were created primarily for New Directions Books and Noonday Press, among others. Lustig used the book cover as a vehicle of his bold graphic experimentation that was enhanced by a lifelong collaboration with James Laughlin, founder and publisher of New Directions Books. Ned Drew and Paul Sternberger cite many passages from these letters of correspondence betweenLustig and Laughlin which include a range of topics from the early 1940s up to Lustig's untimely death in 1955. As a modern designer, Lustig's interests spanned many fields: architectural, industrial and interior design which served as an expression of his deeply held convictions. For him, the designer was not a single-minded specialist, but an integrator of many art forms-and simultaneously, as he saw it, a spokesman for social change. NED DREW teaches at Rutgers University-Newark and is also the director of The Design Consortium, a student/teacher run design studio that focuses on non-profit, community-based projects. Paul Sternberger is an Associate Professor of Art History at Rutgers University-Newark. He is co-author with colleague Ned Drew of By It's Cover: Modern American Book Cover Design.

Purity of Aim: The Book Jacket Designs of Alvin Lustig

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Paperback / softback by Ned Drew , Paul Sternberger

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This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold... Read more

    Publisher: RIT Cary Graphic Arts Press
    Publication Date: 17/09/2010
    ISBN13: 9781933360485, 978-1933360485
    ISBN10: 1933360488

    Number of Pages: 88

    Description

    This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation. Here is a colorful and well-researched representation of Alvin Lustig's book cover designs that were created primarily for New Directions Books and Noonday Press, among others. Lustig used the book cover as a vehicle of his bold graphic experimentation that was enhanced by a lifelong collaboration with James Laughlin, founder and publisher of New Directions Books. Ned Drew and Paul Sternberger cite many passages from these letters of correspondence betweenLustig and Laughlin which include a range of topics from the early 1940s up to Lustig's untimely death in 1955. As a modern designer, Lustig's interests spanned many fields: architectural, industrial and interior design which served as an expression of his deeply held convictions. For him, the designer was not a single-minded specialist, but an integrator of many art forms-and simultaneously, as he saw it, a spokesman for social change. NED DREW teaches at Rutgers University-Newark and is also the director of The Design Consortium, a student/teacher run design studio that focuses on non-profit, community-based projects. Paul Sternberger is an Associate Professor of Art History at Rutgers University-Newark. He is co-author with colleague Ned Drew of By It's Cover: Modern American Book Cover Design.

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