Description

This volume includes twelve essays on the history of the book in the long eighteenth century that collectively argue for the importance of integrating literary scholarship and the various practices of book history. Themes include: a rectification of the tendency in literary studies to be blind to the materiality of the book; a focus on the ways that eighteenth-century expectations for books differ from contemporary ideas; the identification of the roles of writers and publishers as reciprocal and competing; the development of modern conventions of the material book; the ways in which the forms of books inform and influence literature and vice versa; the significance of commercial pressures on eighteenth-century book production; the parallels to be drawn between the eighteenth-century expansion of print and our own transformation to digital media. Detailed attention is given to Pope, Manley, Johnson, Richardson, Burney, Curll, and Dodsley among others. The book contains thirty-five illustrations.

Producing the Eighteenth-Century Book: Writers and Publishers in England, 1650-1800

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Hardback by Laura L. Runge , Pat Rogers

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This volume includes twelve essays on the history of the book in the long eighteenth century that collectively argue for... Read more

    Publisher: Rowman & Littlefield
    Publication Date: 01/11/2009
    ISBN13: 9781611491265, 978-1611491265
    ISBN10: 1611491266

    Number of Pages: 298

    Non Fiction , ELT & Literary Studies , Education

    Description

    This volume includes twelve essays on the history of the book in the long eighteenth century that collectively argue for the importance of integrating literary scholarship and the various practices of book history. Themes include: a rectification of the tendency in literary studies to be blind to the materiality of the book; a focus on the ways that eighteenth-century expectations for books differ from contemporary ideas; the identification of the roles of writers and publishers as reciprocal and competing; the development of modern conventions of the material book; the ways in which the forms of books inform and influence literature and vice versa; the significance of commercial pressures on eighteenth-century book production; the parallels to be drawn between the eighteenth-century expansion of print and our own transformation to digital media. Detailed attention is given to Pope, Manley, Johnson, Richardson, Burney, Curll, and Dodsley among others. The book contains thirty-five illustrations.

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