Description

The rich medieval French tradition of vernacular devotional songs has not received much scrutiny. With Prions en chantant, Marcia Epstein aims to remedy that situation by offering an edition of largely anonymous trouvere devotional songs, designed for both scholars and performers, from two late-thirteenth-century manuscripts. The majority of the music is published here for the first time. Sixty-one songs are presented, with forty-nine songs exhibited in Old French with a facing-page modern English translation followed by old musical notation and facing-page with modern musical transcription. An additional twelve songs, which lack music in the original sources, are represented by the Old French text and the modern English translation only. The introduction extensively describes the social, musical, literary and theological aspects of the trouvere songs contained in the volume. This is a valuable and welcome addition to the study of medieval music.

Prions en Chantant: Devotional Songs of the Trouv�res

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Paperback / softback by Marcia Epstein

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The rich medieval French tradition of vernacular devotional songs has not received much scrutiny. With Prions en chantant, Marcia Epstein... Read more

    Publisher: University of Toronto Press
    Publication Date: 15/12/1997
    ISBN13: 9780802078261, 978-0802078261
    ISBN10: 0802078265

    Number of Pages: 354

    Fiction , Contemporary Fiction

    Description

    The rich medieval French tradition of vernacular devotional songs has not received much scrutiny. With Prions en chantant, Marcia Epstein aims to remedy that situation by offering an edition of largely anonymous trouvere devotional songs, designed for both scholars and performers, from two late-thirteenth-century manuscripts. The majority of the music is published here for the first time. Sixty-one songs are presented, with forty-nine songs exhibited in Old French with a facing-page modern English translation followed by old musical notation and facing-page with modern musical transcription. An additional twelve songs, which lack music in the original sources, are represented by the Old French text and the modern English translation only. The introduction extensively describes the social, musical, literary and theological aspects of the trouvere songs contained in the volume. This is a valuable and welcome addition to the study of medieval music.

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