Description

Silent cinema and contemporaneous literature explored themes of mesmerism, possession, and the ominous agency of corporate bodies that subsumed individual identities. At the same time, critics accused film itself of exerting a hypnotic influence over spellbound audiences. Stefan Andriopoulos shows that all this anxiety over being governed by an outside force was no marginal oddity, but rather a pervasive concern in the late nineteenth and early twentieth centuries.Tracing this preoccupation through the period's films - as well as its legal, medical, and literary texts - Andriopoulos pays particular attention to the terrifying notion of murder committed against one's will. He returns us to a time when medical researchers described the hypnotized subject as a medium who could be compelled to carry out violent crimes, and when films like "The Cabinet of Dr. Caligari" and "Dr. Mabuse, the Gambler" famously portrayed the hypnotist's seemingly unlimited power on the movie screen. Combining theoretical sophistication with scrupulous archival research and insightful film analysis, "Possessed" adds a new dimension to our understanding of today's anxieties about the onslaught of visual media and the expanding reach of vast corporations that seem to absorb our own identities.

Possessed: Hypnotic Crimes, Corporate Fiction, and the Invention of Cinema

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Hardback by Stefan Andriopoulos , Peter Jansen

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Silent cinema and contemporaneous literature explored themes of mesmerism, possession, and the ominous agency of corporate bodies that subsumed individual... Read more

    Publisher: The University of Chicago Press
    Publication Date: 01/08/2008
    ISBN13: 9780226020549, 978-0226020549
    ISBN10: 0226020541

    Number of Pages: 208

    Non Fiction , Art & Photography

    Description

    Silent cinema and contemporaneous literature explored themes of mesmerism, possession, and the ominous agency of corporate bodies that subsumed individual identities. At the same time, critics accused film itself of exerting a hypnotic influence over spellbound audiences. Stefan Andriopoulos shows that all this anxiety over being governed by an outside force was no marginal oddity, but rather a pervasive concern in the late nineteenth and early twentieth centuries.Tracing this preoccupation through the period's films - as well as its legal, medical, and literary texts - Andriopoulos pays particular attention to the terrifying notion of murder committed against one's will. He returns us to a time when medical researchers described the hypnotized subject as a medium who could be compelled to carry out violent crimes, and when films like "The Cabinet of Dr. Caligari" and "Dr. Mabuse, the Gambler" famously portrayed the hypnotist's seemingly unlimited power on the movie screen. Combining theoretical sophistication with scrupulous archival research and insightful film analysis, "Possessed" adds a new dimension to our understanding of today's anxieties about the onslaught of visual media and the expanding reach of vast corporations that seem to absorb our own identities.

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