Description

The Derveni Papyrus is the oldest known European "book." It was meant to accompany the cremated body in Derveni Tomb A but, by a stroke of luck, did not burn completely. Considered the most important discovery for Greek philology in the twentieth century, the papyrus was found accidentally in 1962 during a public works project in an uninhabited place about 10 km from Thessaloniki, and it is now preserved in the Archaeological Museum of Thessaloniki.

The papers in Poetry as Initiation discuss a number of open questions: Who was the author of the papyrus? What is the date of the text? What is the significance of burying a book with a corpse? What was the context of the peculiar chthonic ritual described in the text? Who were its performers? What is the relationship of the author and the ritual to the so-called Orphic texts?

Poetry as Initiation: The Center for Hellenic Studies Symposium on the Derveni Papyrus

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Paperback / softback by Ioanna Papadopoulou , Leonard Muellner

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The Derveni Papyrus is the oldest known European "book." It was meant to accompany the cremated body in Derveni Tomb... Read more

    Publisher: Harvard University, Center for Hellenic Studies
    Publication Date: 21/04/2014
    ISBN13: 9780674726765, 978-0674726765
    ISBN10: 0674726766

    Number of Pages: 296

    Non Fiction , ELT & Literary Studies , Education

    Description

    The Derveni Papyrus is the oldest known European "book." It was meant to accompany the cremated body in Derveni Tomb A but, by a stroke of luck, did not burn completely. Considered the most important discovery for Greek philology in the twentieth century, the papyrus was found accidentally in 1962 during a public works project in an uninhabited place about 10 km from Thessaloniki, and it is now preserved in the Archaeological Museum of Thessaloniki.

    The papers in Poetry as Initiation discuss a number of open questions: Who was the author of the papyrus? What is the date of the text? What is the significance of burying a book with a corpse? What was the context of the peculiar chthonic ritual described in the text? Who were its performers? What is the relationship of the author and the ritual to the so-called Orphic texts?

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