Description

Book Synopsis
Poetic Exhibitions: Romantic Aesthetics and the Pleasures of the British Museum offers an extensive interdisciplinary study of the relationship between British Romantic poetry and the rise of national museum culture in the eighteenth and early nineteenth centuries. In a simultaneously theoretical and historical analysis, it studies a range of poetry and aesthetic philosophy in relation to the first hundred years of the British Museum, from its establishment in the 1750's to the completion of its current edifice in the 1850's. It thereby provides a sequence of aesthetic reflections on the various social, cultural, and imaginative challenges posed by this novel institution. In the process of tracing poetic and critical responses to the museum and its collections, Poetic Exhibitions simultaneously demonstrates the impact of nationalist ideologies and scientific discourse on formal and thematic developments in Romantic poetry and aesthetics. Both the museum and the nation it serves are realized imaginatively through an imperfect aesthetic accommodation of difference and identity. The museum's official statements of institutional purpose and curatorial design describe a harmonious relationship between an ennobling exhibition and a unified nation. However, accounts of the institution in the popular press, guidebooks to the sights of London, private correspondence, and parliamentary debates depict the museum as a touchstone for social and political conflict. In this fraught domain of national self-promotion, the language of aesthetics provides a nascent curatorial theory of material and cultural reconciliation. An emphasis on the pleasures of imagination grants the poet and spectator especially prominent positions in Romantic culture as both are newly empowered as active participants in the visual and conceptual creation of knowledge. As this role is made available to an ever-widening portion of the national public-including women and members of the working classes-both the nation and the museum dev

Poetic Exhibitions: Romantic Aesthetics and the

    Product form

    £88.00

    Includes FREE delivery

    Order before 4pm today for delivery by Tue 18 Aug 2026.

    A Hardback by Eric Gidal

    Out of stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Poetic Exhibitions: Romantic Aesthetics and the by Eric Gidal

      Publisher: Bucknell University Press
      Publication Date: Publication Date: 01/11/2001
      ISBN13: 9781611481495, 978-1611481495
      ISBN10: 161148149X

      Description

      Book Synopsis
      Poetic Exhibitions: Romantic Aesthetics and the Pleasures of the British Museum offers an extensive interdisciplinary study of the relationship between British Romantic poetry and the rise of national museum culture in the eighteenth and early nineteenth centuries. In a simultaneously theoretical and historical analysis, it studies a range of poetry and aesthetic philosophy in relation to the first hundred years of the British Museum, from its establishment in the 1750's to the completion of its current edifice in the 1850's. It thereby provides a sequence of aesthetic reflections on the various social, cultural, and imaginative challenges posed by this novel institution. In the process of tracing poetic and critical responses to the museum and its collections, Poetic Exhibitions simultaneously demonstrates the impact of nationalist ideologies and scientific discourse on formal and thematic developments in Romantic poetry and aesthetics. Both the museum and the nation it serves are realized imaginatively through an imperfect aesthetic accommodation of difference and identity. The museum's official statements of institutional purpose and curatorial design describe a harmonious relationship between an ennobling exhibition and a unified nation. However, accounts of the institution in the popular press, guidebooks to the sights of London, private correspondence, and parliamentary debates depict the museum as a touchstone for social and political conflict. In this fraught domain of national self-promotion, the language of aesthetics provides a nascent curatorial theory of material and cultural reconciliation. An emphasis on the pleasures of imagination grants the poet and spectator especially prominent positions in Romantic culture as both are newly empowered as active participants in the visual and conceptual creation of knowledge. As this role is made available to an ever-widening portion of the national public-including women and members of the working classes-both the nation and the museum dev

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account