Description
Book SynopsisThis accessible book explores the creative uses of photography with political purpose, both in terms of subject matter and of the political perspectives that have driven attitudes to viewing photographs.
The shorter Part I reviews twentieth-century thinking that has influenced attitudes to photography and the political. Part II identifies the political ideas that drive practical strategies in the twenty-first century. It considers the politics of photography by looking at what affects people's lives and agency: attitudes to difference and identity; power relations between institutions, individuals, and communities; the impact of trauma and global change. With a focus on the exchange of ideas between visual practice and theories, a selection of projects are examined from a range of perspectives, such as post-colonial and feminist thinking, post-humanism, and cultural and social theory, with references ranging from Michel Foucault and Judith Butler to Achille Mbembe, Bruno Lato
Table of Contents
Introduction Part I 1. Power Relations 2. Representation, Aesthetics, and Documentary 3. Instrumental Purpose and Disruption Part II 4. Image, Knowledge, and Argument 5. Immersive Worlds 6. Citizen Relations 7. Histories, Archives, and Fictions 8. Political Aesthetics
