Description

Book Synopsis
At a time when Asian American theater is enjoying a measure of growth and success, Josephine Lee tells us about the complex social and political issues depicted by Asian American playwrights. By looking at performances and dramatic texts, Lee argues that playwrights produce a different conception of \u0022Asian America\u0022 in accordance with their unique set of sensibilities. For instance, some Asian American playwrights critique the separation of issues of race and ethnicity from those of economics and class, or they see ethnic identity as a voluntary choice of lifestyle rather than an impetus for concerted political action. Others deal with the problem of cultural stereotypes and how to reappropriate their power. Lee is attuned to the complexities and contradictions of such performances, and her trenchant thinking about the criticisms lobbed at Asian American playwrights -- for their choices in form, perpetuation of stereotype, or apparent sexism or homophobia -- leads her to question how the presentation of Asian American identity in the theater parallels problems and possibilities of identity offstage as well. Discussed are better-known plays such as Frank Chin's The Chickencoop Chinaman, David Henry Hwang's M. Butterfly, and Velina Hasu Houston's Tea, and new works like Jeannie Barroga's Walls and Wakako Yamauchi's 12-1-a.

Trade Review
"One of the first major studies of Asian American drama, Lee's Performing Asian America serves as a cleanly argued and theoretically engaging study of the construction and performance of identity both onstage and off." -MELUS "...as a first text on such matters Lee's important work establishes a solid grounding for future work on Asian American dramatic literature." -Asian Theatre Journal

Table of Contents
CONTENTS Acknowledgments 1 Critical Strategies for Reading Asian American Drama 2 The Asian American Spectator and the Politics of Realism 3 The Chinaman's Unmanly Grief 4 The Seduction of the Stereotype 5 Acts of Exclusion: Asian American History Plays 6 Asian American Doubles and the Soul Under Capitalism 7 Staging "Passing" on the Borders of the Body Epilogue Notes Works Cited Index

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    A Paperback / softback by Josephine Lee

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      Publisher: Temple University Press,U.S.
      Publication Date: 25/03/1998
      ISBN13: 9781566396370, 978-1566396370
      ISBN10: 1566396379

      Description

      Book Synopsis
      At a time when Asian American theater is enjoying a measure of growth and success, Josephine Lee tells us about the complex social and political issues depicted by Asian American playwrights. By looking at performances and dramatic texts, Lee argues that playwrights produce a different conception of \u0022Asian America\u0022 in accordance with their unique set of sensibilities. For instance, some Asian American playwrights critique the separation of issues of race and ethnicity from those of economics and class, or they see ethnic identity as a voluntary choice of lifestyle rather than an impetus for concerted political action. Others deal with the problem of cultural stereotypes and how to reappropriate their power. Lee is attuned to the complexities and contradictions of such performances, and her trenchant thinking about the criticisms lobbed at Asian American playwrights -- for their choices in form, perpetuation of stereotype, or apparent sexism or homophobia -- leads her to question how the presentation of Asian American identity in the theater parallels problems and possibilities of identity offstage as well. Discussed are better-known plays such as Frank Chin's The Chickencoop Chinaman, David Henry Hwang's M. Butterfly, and Velina Hasu Houston's Tea, and new works like Jeannie Barroga's Walls and Wakako Yamauchi's 12-1-a.

      Trade Review
      "One of the first major studies of Asian American drama, Lee's Performing Asian America serves as a cleanly argued and theoretically engaging study of the construction and performance of identity both onstage and off." -MELUS "...as a first text on such matters Lee's important work establishes a solid grounding for future work on Asian American dramatic literature." -Asian Theatre Journal

      Table of Contents
      CONTENTS Acknowledgments 1 Critical Strategies for Reading Asian American Drama 2 The Asian American Spectator and the Politics of Realism 3 The Chinaman's Unmanly Grief 4 The Seduction of the Stereotype 5 Acts of Exclusion: Asian American History Plays 6 Asian American Doubles and the Soul Under Capitalism 7 Staging "Passing" on the Borders of the Body Epilogue Notes Works Cited Index

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