Description

At the height of the Napoleonic Wars, a new generation of painters led by the precociously talented David Wilkie took London's art world by storm. Their novel approach to the depiction of everyday life marked the beginning a trajectory that links the art of the Age of Revolution with the postmodern culture of today.

What emerged from the imagery of Wilkie and other early 19th-century British genre painters—among them William Mulready, Edward Bird, and the controversial watercolorist Thomas Heaphy—was a sense that common people were increasingly bound up with the exceptional events of history, that traditional boundaries between country and city were melting away, and that a more regularized and dynamic present was everywhere encroaching upon the customary patterns of the past.



Published for the Paul Mellon Centre for Studies in British Art

Painting out of the Ordinary: Modernity and the Art of Everday Life in Early Nineteenth-Century England

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Hardback by David H. Solkin

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At the height of the Napoleonic Wars, a new generation of painters led by the precociously talented David Wilkie took... Read more

    Publisher: Yale University Press
    Publication Date: 15/07/2008
    ISBN13: 9780300140613, 978-0300140613
    ISBN10: 0300140614

    Number of Pages: 288

    Non Fiction , Art & Photography

    Description

    At the height of the Napoleonic Wars, a new generation of painters led by the precociously talented David Wilkie took London's art world by storm. Their novel approach to the depiction of everyday life marked the beginning a trajectory that links the art of the Age of Revolution with the postmodern culture of today.

    What emerged from the imagery of Wilkie and other early 19th-century British genre painters—among them William Mulready, Edward Bird, and the controversial watercolorist Thomas Heaphy—was a sense that common people were increasingly bound up with the exceptional events of history, that traditional boundaries between country and city were melting away, and that a more regularized and dynamic present was everywhere encroaching upon the customary patterns of the past.



    Published for the Paul Mellon Centre for Studies in British Art

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