Description

A wide-ranging study of the painted panorama’s influence on art, photography, and film

This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.

On the Viewing Platform: The Panorama between Canvas and Screen

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Hardback by Katie Trumpener , Tim Barringer

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A wide-ranging study of the painted panorama’s influence on art, photography, and film This ambitious volume presents a multifaceted account... Read more

    Publisher: Yale University Press
    Publication Date: 10/11/2020
    ISBN13: 9780300184792, 978-0300184792
    ISBN10: 0300184794

    Number of Pages: 324

    Non Fiction , Art & Photography

    Description

    A wide-ranging study of the painted panorama’s influence on art, photography, and film

    This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.

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