Description

On the Origins of the Cartouche and Encircling Symbolism in Old Kingdom Pyramids is a treatise on the subject of encircling symbolism in pharaonic monumental tomb architecture. The study focuses on the Early Dynastic Period and the Old Kingdom of ancient Egypt; from the first dynasty through the sixth. During that time, encircling symbolism was developed most significantly and became most influential. The cartouche also became the principal symbol of the pharaoh for the first time. This work demonstrates how the development of the cartouche was closely related to the monumental encircling symbolism incorporated into the architectural designs of the Old Kingdom pyramids. By employing a new architectural style, the pyramid, and a new iconographic symbol, the cartouche, the pharaoh sought to elevate his status above that of the members of his powerful court. These iconic new emblems emphasized and protected the pharaoh in life, and were retained in the afterlife. By studying the available evidence, the new and meaningful link between the two artistic media; iconographic and architectural, is catalogued, understood, and traced out through time.

On the Origins of the Cartouche and Encircling Symbolism in Old Kingdom Pyramids

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Paperback / softback by David Ian Lightbody

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On the Origins of the Cartouche and Encircling Symbolism in Old Kingdom Pyramids is a treatise on the subject of... Read more

    Publisher: Archaeopress
    Publication Date: 18/06/2020
    ISBN13: 9781789696578, 978-1789696578
    ISBN10: 1789696577

    Number of Pages: 100

    Non Fiction , History

    Description

    On the Origins of the Cartouche and Encircling Symbolism in Old Kingdom Pyramids is a treatise on the subject of encircling symbolism in pharaonic monumental tomb architecture. The study focuses on the Early Dynastic Period and the Old Kingdom of ancient Egypt; from the first dynasty through the sixth. During that time, encircling symbolism was developed most significantly and became most influential. The cartouche also became the principal symbol of the pharaoh for the first time. This work demonstrates how the development of the cartouche was closely related to the monumental encircling symbolism incorporated into the architectural designs of the Old Kingdom pyramids. By employing a new architectural style, the pyramid, and a new iconographic symbol, the cartouche, the pharaoh sought to elevate his status above that of the members of his powerful court. These iconic new emblems emphasized and protected the pharaoh in life, and were retained in the afterlife. By studying the available evidence, the new and meaningful link between the two artistic media; iconographic and architectural, is catalogued, understood, and traced out through time.

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