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Book Synopsis
A landmark biography of a singular and important Australian photographer, Olive Cotton, by an award-winning writer - beautifully written and deeply moving. Winner of the 2022 Adelaide Festival Awards for Literature, Non Fiction AwardWinner of the 2020 Canberra Critics' Circle Award for BiographyWinner of the University of Queensland Non Fiction Book Award, Queensland Literary Awards 2020Winner of the Magarey Medal for Biography for 2020Longlisted for the 2020 Mark & Evette Moran Nib Literary Award 2020Olive Cotton was one of Australia's pioneering modernist photographers, whose significant talent was recognised as equal to her first husband, the famous photographer Max Dupain. Together, Olive and Max were an Australian version of Frida Kahlo and Diego Rivera or Ray and Charles Eames, and the photographic work they produced in the 1930s and early 1940s was bold, distinctive and quintessentially Australian. But in the mid-1940s Olive divorced Max, leaving Sydney to live with her sec

Olive Cotton

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    A Hardback by Helen Ennis

    3 in stock

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      Publisher: HarperCollins Publishers (Australia) Pty Ltd
      Publication Date: 21/10/2019
      ISBN13: 9781460758342, 978-1460758342
      ISBN10: 146075834X

      Description

      Book Synopsis
      A landmark biography of a singular and important Australian photographer, Olive Cotton, by an award-winning writer - beautifully written and deeply moving. Winner of the 2022 Adelaide Festival Awards for Literature, Non Fiction AwardWinner of the 2020 Canberra Critics' Circle Award for BiographyWinner of the University of Queensland Non Fiction Book Award, Queensland Literary Awards 2020Winner of the Magarey Medal for Biography for 2020Longlisted for the 2020 Mark & Evette Moran Nib Literary Award 2020Olive Cotton was one of Australia's pioneering modernist photographers, whose significant talent was recognised as equal to her first husband, the famous photographer Max Dupain. Together, Olive and Max were an Australian version of Frida Kahlo and Diego Rivera or Ray and Charles Eames, and the photographic work they produced in the 1930s and early 1940s was bold, distinctive and quintessentially Australian. But in the mid-1940s Olive divorced Max, leaving Sydney to live with her sec

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