Description

Following the success of her T. S. Eliot Prize-nominated Over and award-winning translation of the medieval Pearl, Jane Draycott returns with her fourth collection of poems, The Occupant. With a rhythmic subtlety and metrical poise that have become hallmarks of her verse, Draycott hints at the existence of a world of dreamlike clarity underneath our own. In the National Gallery a gardener cuts away the flower from a still-life canvas to replant in his own garden; in an abandoned sanatorium a grand piano dreams of the voices and music of days past, 'rose-spotted paintwork peeling softly, half-moon fanlights rising, sinking'. At the heart of these imagined scenes the long title poem, 'The Occupant', draws on scenes proposed but left unwritten in Martinus Nijhoff's Awater. In the stifling summer air, Draycott's occupant trawls the streets of an unnamed city whose 'dead lanes keep their silence', where 'the frail expire and pale dogs whimper', as its police post notices: 'Missing: Have you seen this wind?'

Occupant

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Paperback / softback by Draucptt. Jane

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Following the success of her T. S. Eliot Prize-nominated Over and award-winning translation of the medieval Pearl, Jane Draycott returns... Read more

    Publisher: Carcanet Press Ltd
    Publication Date: 24/11/2016
    ISBN13: 9781784103002, 978-1784103002
    ISBN10: 1784103004

    Number of Pages: 64

    Fiction , Poetry

    Description

    Following the success of her T. S. Eliot Prize-nominated Over and award-winning translation of the medieval Pearl, Jane Draycott returns with her fourth collection of poems, The Occupant. With a rhythmic subtlety and metrical poise that have become hallmarks of her verse, Draycott hints at the existence of a world of dreamlike clarity underneath our own. In the National Gallery a gardener cuts away the flower from a still-life canvas to replant in his own garden; in an abandoned sanatorium a grand piano dreams of the voices and music of days past, 'rose-spotted paintwork peeling softly, half-moon fanlights rising, sinking'. At the heart of these imagined scenes the long title poem, 'The Occupant', draws on scenes proposed but left unwritten in Martinus Nijhoff's Awater. In the stifling summer air, Draycott's occupant trawls the streets of an unnamed city whose 'dead lanes keep their silence', where 'the frail expire and pale dogs whimper', as its police post notices: 'Missing: Have you seen this wind?'

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