Description
Offers a transnational comparative approach to contemporary popular Nordic genre film. Nordic Genre Film offers a transnational approach to studying contemporary genre production in Nordic cinema. It discusses a range of internationally renowned examples, from Nordic noir such as the television show The Bridge and films like Insomnia to high concept 'video generation' productions such as Iron Sky. Other contributions focus on road movies, the horror film, autobiographical films, historical epics and pornography. These are contextualised by discussions of their position in their respective national film and media histories as well as their influence on other Nordic countries and beyond. By highlighting similarities and differences between the countries, the book combines industrial perspectives and in depth discussion of specific films, while also offering historical perspectives on each genre as comes to production, distribution and reception of popular contemporary genre film. It takes a range of approaches to genre in the Nordic context, from analysing the textual features of individual films to exploring industrial tactics in capitalising on cultural reputations; It analyses the production, distribution and the reception of contemporary genre films and offers academic film studies an alternative model for understanding globalisation from a small nation perspective.
