Description

Zen Buddhism and the Chaos theory are used in this work as binocular lenses to examine the existential difficulties in Samuel Beckett’s plays in terms that circumvent traditional Western schools of thought. No-Thing Is Left to Tell examines Waiting for Godot, Endgame, Happy Days, Footfalls, and Ohio Impromptu, discovering both within them and throughout the larger scale of Beckett’s plays as a whole, a movement toward revisioning our world in terms of a nonclosed, unself-conscious state. Illustrated.

No-Thing Is Left to Tell: Zen/Chaos Theory in the Dramatic Art of Samuel Beckett

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Hardback by John Leeland Kundert-Gibbs

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Zen Buddhism and the Chaos theory are used in this work as binocular lenses to examine the existential difficulties in... Read more

    Publisher: Fairleigh Dickinson University Press
    Publication Date: 01/07/1999
    ISBN13: 9781611471588, 978-1611471588
    ISBN10: 1611471583

    Number of Pages: 236

    Non Fiction , Art & Photography

    • Tell a unique detail about this product12

    Description

    Zen Buddhism and the Chaos theory are used in this work as binocular lenses to examine the existential difficulties in Samuel Beckett’s plays in terms that circumvent traditional Western schools of thought. No-Thing Is Left to Tell examines Waiting for Godot, Endgame, Happy Days, Footfalls, and Ohio Impromptu, discovering both within them and throughout the larger scale of Beckett’s plays as a whole, a movement toward revisioning our world in terms of a nonclosed, unself-conscious state. Illustrated.

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