Description

A female contemporary of Alexander Pushkin, Liubov Krichevskaya makes her Anglophone debut in an excellent translation of her fiction, drama, and poetry, which deftly capture women’s estate in the early nineteenth century. Krichevskaya intriguingly combines Sentimentalist preoccupations—sensibility, virtue, and men’s moral reformation through confrontation with exemplary women’s passive piety—with the uncontrollable passions and volatile hero popularized by the Byronic strain of Romanticism. Her gynocentric texts poignantly convey the stringent limitations imposed upon women’s agency by a society that paradoxically credited them with the seemingly limitless capacity to exert a civilizing influence as icons of probity. Readers acquainted with Rousseau, Richardson, and Goethe will discover familiar feminized turf, but cultivated in a Russian vein.
—Helena Goscilo
Chair and Professor of Slavic, The Ohio State University

No Good without Reward – Selected Writings: A Bilingual Edition

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Paperback / softback by Liubov Krichevskaya , Brian James Baer

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A female contemporary of Alexander Pushkin, Liubov Krichevskaya makes her Anglophone debut in an excellent translation of her fiction, drama,... Read more

    Publisher: University of Toronto Press
    Publication Date: 01/07/2011
    ISBN13: 9780772721105, 978-0772721105
    ISBN10: 0772721106

    Number of Pages: 286

    Non Fiction , ELT & Literary Studies , Education

    Description

    A female contemporary of Alexander Pushkin, Liubov Krichevskaya makes her Anglophone debut in an excellent translation of her fiction, drama, and poetry, which deftly capture women’s estate in the early nineteenth century. Krichevskaya intriguingly combines Sentimentalist preoccupations—sensibility, virtue, and men’s moral reformation through confrontation with exemplary women’s passive piety—with the uncontrollable passions and volatile hero popularized by the Byronic strain of Romanticism. Her gynocentric texts poignantly convey the stringent limitations imposed upon women’s agency by a society that paradoxically credited them with the seemingly limitless capacity to exert a civilizing influence as icons of probity. Readers acquainted with Rousseau, Richardson, and Goethe will discover familiar feminized turf, but cultivated in a Russian vein.
    —Helena Goscilo
    Chair and Professor of Slavic, The Ohio State University

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