Description

Book Synopsis


Trade Review
"It had been Nauman’s genius to have reversed Minimalism’s conception of sculpture, from a phenomenological idealism to a post-utopian subjectivity in which the conditions of surveillance, control and exertion are recognized as central in defining experience in the present. And Janet Kraynak’s brilliant study is the first to have given Nauman’s aesthetic ambitions an adequately theorized interpretive apparatus." —Benjamin H.D. Buchloh, Harvard University

"Nauman Reiterated is cogent and original, based on extensive and unique primary research, and theorized in a distinct, coherent, and compelling way. Janet Kraynak, a recognized expert on Nauman’s work, deftly navigates the discourses of academic scholarship and the gallery/art-world, using a nuanced and detailed set of sources." —Liz Kotz, author of Words to be Looked At: Language in 1960s Art


Table of Contents

Contents

Acknowledgments

Introduction: To Reiterate Nauman1. Dangerous Variations2. The Failure to Communicate3. The World Is Heard Differently: On Sound and a New Culture of Recording4. The Screen Is Empty: Nauman Performs the Recorded Image5. Dependent ParticipationEpilogue: Interactivity to What Ends?

NotesIndex

Nauman Reiterated

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    A Paperback / softback by Janet Kraynak

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      Publisher: University of Minnesota Press
      Publication Date: 20/05/2014
      ISBN13: 9780816683048, 978-0816683048
      ISBN10: 0816683042

      Description

      Book Synopsis


      Trade Review
      "It had been Nauman’s genius to have reversed Minimalism’s conception of sculpture, from a phenomenological idealism to a post-utopian subjectivity in which the conditions of surveillance, control and exertion are recognized as central in defining experience in the present. And Janet Kraynak’s brilliant study is the first to have given Nauman’s aesthetic ambitions an adequately theorized interpretive apparatus." —Benjamin H.D. Buchloh, Harvard University

      "Nauman Reiterated is cogent and original, based on extensive and unique primary research, and theorized in a distinct, coherent, and compelling way. Janet Kraynak, a recognized expert on Nauman’s work, deftly navigates the discourses of academic scholarship and the gallery/art-world, using a nuanced and detailed set of sources." —Liz Kotz, author of Words to be Looked At: Language in 1960s Art


      Table of Contents

      Contents

      Acknowledgments

      Introduction: To Reiterate Nauman1. Dangerous Variations2. The Failure to Communicate3. The World Is Heard Differently: On Sound and a New Culture of Recording4. The Screen Is Empty: Nauman Performs the Recorded Image5. Dependent ParticipationEpilogue: Interactivity to What Ends?

      NotesIndex

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