Description

Book Synopsis

This book is a critical inquiry into three ideas that have been at the heart of philosophical reflection since time immemorial: freedom, God and immortality. Their inherent connection has disappeared from our thought. We barely pay attention to the latter two ideas, and the notion of freedom is used so loosely today that it has become vacuous. Axel Hutter’s book seeks to remind philosophy of its distinct task: only in understanding itself as human self-knowledge that articulates itself in these three ideas will philosophy do justice to its own concept.

In developing this line of argument, Hutter finds an ally in Thomas Mann, whose novel Joseph and His Brothers has more to say about freedom, God and immortality than most contemporary philosophy does. Through his reading of Mann’s novel, Hutter explores these three ideas in a distinctive way. He brings out the intimate connection between philosophical self-knowledge and narrative form: Mann’s novel gives expression to the depth of human self-understanding and, thus, demands a genuinely philosophical interpretation. In turn, philosophical concepts are freed from abstractness by resonating with the novel’s motifs and its rich language.

Narrative Ontology is both a highly original work of philosophy and a vigorous defence of humanism. It brings together philosophy and literature in a creative way, it will be of great interest to students and scholars in philosophy, literature and the humanities in general.



Trade Review
‘Axel Hutter has been for years a powerful critic of philosophy’s post-metaphysical trends and its nihilist implications. The beautiful achievement of this philosophical tour de force is to outflank these trends by showing that metaphysics is quite literally revealed through text.’
Omri Boehm, The New School for Social Research

Table of Contents
Foreword by Markus Gabriel

Preface


Introduction


The Art of Self-Knowledge

Self-Knowledge – The Intangibility of the I – Who’s Speaking? – Narrative Meaning –Meaning and Being – The Project of a Narrative Ontology – The Truth of Art – Thomas Mann as Model – The Enigma of Human Being – Freedom – Selfhood as Character


Part One: The Stories of Jacob


1. The Ambiguity of the I

The Leitmotif – The Original Scene – Readings – The Unrest of the Blessing – Identity of Form and Content – The Narrative Decentring of the I – Coined Archetypes – Isaac’s ‘Blindness’ – Selfhood as Self-Understanding


2. The World Theatre

The Thought-Model of the Actor – The World as Stage – History – Meaning of Life? – The Author as Narrator and Reader – Meaning as Happiness or Happiness as Meaning – Connecting Thoughts – Cain and Abel – The Role of Human Being – The Dignity of Universality – Humanity in Each Person


3. Narrative Irony

Deception and Disappointment – Leah – Day and Night – Nonsense – Jacob’s Four Deceptions – The Denied Sacrifice – Dialectic of Spiritual Inheritance – Hope – Joseph’s Gift – Mercy of the Last Deception


Part Two: Time and Meaning


4. The Well of the Past

Ontology of Egoism – Self-Respect – Descent into Hell – Wandering – The Abyss of Time – Desperation of Passing Time – Memento Mori – Promise and Expectation – Time that cannot be Enumerated – The Feast of the Narrative


5. How Abraham Discovered God

Where to Begin? – The Adventure of Self-Knowledge – In the Image of God – Self-Knowledge and Knowledge of God – The Courage for Monotheism – Not the Good, but the Whole – God’s History? – Model and Succession – Theology of Narration


6. What are Human Beings, that You are Mindful of them?

Higher Echelons – Human Reason and Language – Evil – On the Economy of Morality – The Narratable World of What Happens – Who Narrates? – The Novel of the Soul – Very Serious Jokes – In Praise of Transience


Part Three: The Stories of Joseph


7. The Future

Self-Love – Wit in Language –Ambiguity of the Talent – Knowledge of the Future? – Being on One’s Way – Sympathy – Certainty of Death – The Dreamer of Dreams – The Catastrophe


8. The Dying Grain

The Oracle – The Simile of the Dying Grain – Joseph’s Awakening – Compassion – The Illusionary Character of Individuality – The Truth of Illusion – At the Empty Grave – The Other Simile – History in Becoming


9. Only a Simile

Joseph in Egypt – Historical and Narrative Attentiveness – Laban’s Realm – Huya and Tuya – Egypt as Symbol – The Sphinx – Interpreting Dreams – Pharaoh – Letter and Spirit of Understanding – Interpretation of God – Historical and Narrative Truth – Play and Allusion


Conclusion


Making Present

Diagnosis of Time – Nihilism as Human Self-Belittlement – Abraham’s Legacy


References

Notes

Index

Narrative Ontology

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    A Paperback / softback by Axel Hutter, Aaron Schoichet

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      Publisher: John Wiley and Sons Ltd
      Publication Date: 10/12/2021
      ISBN13: 9781509543922, 978-1509543922
      ISBN10: 1509543929
      Also in:
      Philosophy

      Description

      Book Synopsis

      This book is a critical inquiry into three ideas that have been at the heart of philosophical reflection since time immemorial: freedom, God and immortality. Their inherent connection has disappeared from our thought. We barely pay attention to the latter two ideas, and the notion of freedom is used so loosely today that it has become vacuous. Axel Hutter’s book seeks to remind philosophy of its distinct task: only in understanding itself as human self-knowledge that articulates itself in these three ideas will philosophy do justice to its own concept.

      In developing this line of argument, Hutter finds an ally in Thomas Mann, whose novel Joseph and His Brothers has more to say about freedom, God and immortality than most contemporary philosophy does. Through his reading of Mann’s novel, Hutter explores these three ideas in a distinctive way. He brings out the intimate connection between philosophical self-knowledge and narrative form: Mann’s novel gives expression to the depth of human self-understanding and, thus, demands a genuinely philosophical interpretation. In turn, philosophical concepts are freed from abstractness by resonating with the novel’s motifs and its rich language.

      Narrative Ontology is both a highly original work of philosophy and a vigorous defence of humanism. It brings together philosophy and literature in a creative way, it will be of great interest to students and scholars in philosophy, literature and the humanities in general.



      Trade Review
      ‘Axel Hutter has been for years a powerful critic of philosophy’s post-metaphysical trends and its nihilist implications. The beautiful achievement of this philosophical tour de force is to outflank these trends by showing that metaphysics is quite literally revealed through text.’
      Omri Boehm, The New School for Social Research

      Table of Contents
      Foreword by Markus Gabriel

      Preface


      Introduction


      The Art of Self-Knowledge

      Self-Knowledge – The Intangibility of the I – Who’s Speaking? – Narrative Meaning –Meaning and Being – The Project of a Narrative Ontology – The Truth of Art – Thomas Mann as Model – The Enigma of Human Being – Freedom – Selfhood as Character


      Part One: The Stories of Jacob


      1. The Ambiguity of the I

      The Leitmotif – The Original Scene – Readings – The Unrest of the Blessing – Identity of Form and Content – The Narrative Decentring of the I – Coined Archetypes – Isaac’s ‘Blindness’ – Selfhood as Self-Understanding


      2. The World Theatre

      The Thought-Model of the Actor – The World as Stage – History – Meaning of Life? – The Author as Narrator and Reader – Meaning as Happiness or Happiness as Meaning – Connecting Thoughts – Cain and Abel – The Role of Human Being – The Dignity of Universality – Humanity in Each Person


      3. Narrative Irony

      Deception and Disappointment – Leah – Day and Night – Nonsense – Jacob’s Four Deceptions – The Denied Sacrifice – Dialectic of Spiritual Inheritance – Hope – Joseph’s Gift – Mercy of the Last Deception


      Part Two: Time and Meaning


      4. The Well of the Past

      Ontology of Egoism – Self-Respect – Descent into Hell – Wandering – The Abyss of Time – Desperation of Passing Time – Memento Mori – Promise and Expectation – Time that cannot be Enumerated – The Feast of the Narrative


      5. How Abraham Discovered God

      Where to Begin? – The Adventure of Self-Knowledge – In the Image of God – Self-Knowledge and Knowledge of God – The Courage for Monotheism – Not the Good, but the Whole – God’s History? – Model and Succession – Theology of Narration


      6. What are Human Beings, that You are Mindful of them?

      Higher Echelons – Human Reason and Language – Evil – On the Economy of Morality – The Narratable World of What Happens – Who Narrates? – The Novel of the Soul – Very Serious Jokes – In Praise of Transience


      Part Three: The Stories of Joseph


      7. The Future

      Self-Love – Wit in Language –Ambiguity of the Talent – Knowledge of the Future? – Being on One’s Way – Sympathy – Certainty of Death – The Dreamer of Dreams – The Catastrophe


      8. The Dying Grain

      The Oracle – The Simile of the Dying Grain – Joseph’s Awakening – Compassion – The Illusionary Character of Individuality – The Truth of Illusion – At the Empty Grave – The Other Simile – History in Becoming


      9. Only a Simile

      Joseph in Egypt – Historical and Narrative Attentiveness – Laban’s Realm – Huya and Tuya – Egypt as Symbol – The Sphinx – Interpreting Dreams – Pharaoh – Letter and Spirit of Understanding – Interpretation of God – Historical and Narrative Truth – Play and Allusion


      Conclusion


      Making Present

      Diagnosis of Time – Nihilism as Human Self-Belittlement – Abraham’s Legacy


      References

      Notes

      Index

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