Description

The War is over, but only just, and San Francisco is still crammed with military uniforms. Of course, being San Francisco, it's also crammed with Bohemians (in a few years, they'll be known as Beatniks). Noel Bruce straddles both camps: By day she's a straight-laced driver for the Navy, but at night she lets her hair down and parties with her flamboyant art-school chums. The party comes to a screeching halt, however, when a dead body turns up in a sculptor's studio, and the artists discover that pretentious mannerisms and amusing facial hair provide little defense against the chill of fear. As in Skeleton Key, the heroine is a working woman, and, like all of Offord's novels, My True Love Lies provides an intriguing bridge between old-fashioned, 1930s-style plotting and a kind of feminism that feels startlingly up-to-date.

My True Love Lies

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£12.46

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Usually despatched within 12 days
Paperback / softback by Lenore Glen Offord

2 in stock

Short Description:

The War is over, but only just, and San Francisco is still crammed with military uniforms. Of course, being San... Read more

    Publisher: Felony & Mayhem
    Publication Date: 07/02/2017
    ISBN13: 9781631940965, 978-1631940965
    ISBN10: 1631940961

    Number of Pages: 240

    Fiction , Crime & Thriller

    Description

    The War is over, but only just, and San Francisco is still crammed with military uniforms. Of course, being San Francisco, it's also crammed with Bohemians (in a few years, they'll be known as Beatniks). Noel Bruce straddles both camps: By day she's a straight-laced driver for the Navy, but at night she lets her hair down and parties with her flamboyant art-school chums. The party comes to a screeching halt, however, when a dead body turns up in a sculptor's studio, and the artists discover that pretentious mannerisms and amusing facial hair provide little defense against the chill of fear. As in Skeleton Key, the heroine is a working woman, and, like all of Offord's novels, My True Love Lies provides an intriguing bridge between old-fashioned, 1930s-style plotting and a kind of feminism that feels startlingly up-to-date.

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