Description

With her third collection, Catherine Wagner assumes a mantle of responsibility. Each opportunity for productivity is a personal call-out; she responds, 'diligent and strict'. A repetitive stretching exercise produces sectional meditations on obedience to self, and to ambition, and the limitations of the body as container, while the obligation to include others in one's apprehension of the room, or self, causes Wagner's slangy, spoken, and singing world of representation to slide from syntactic unit to unit, making room for a galaxy of metonymy. 'Things mean, and I can't tell them not to'. What's going on inside is a watchful self-regard that invites Eros to play. Further exploration takes Wagner close into sexual fantasy - the desire for a debased object - and the politics thereof: 'Well I expect you to go into the/fucking human tunnel/I'm going'. Here, we find a female body marking that watching with a severe wit, charmed visuals, and the analytic prowess of a born human.

My New Job

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Paperback / softback by Catherine Wagner

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With her third collection, Catherine Wagner assumes a mantle of responsibility. Each opportunity for productivity is a personal call-out; she... Read more

    Publisher: Fence Magazine Inc, Division of Fence Books
    Publication Date: 01/11/2009
    ISBN13: 9781934200261, 978-1934200261
    ISBN10: 1934200263

    Number of Pages: 80

    Fiction , Poetry

    Description

    With her third collection, Catherine Wagner assumes a mantle of responsibility. Each opportunity for productivity is a personal call-out; she responds, 'diligent and strict'. A repetitive stretching exercise produces sectional meditations on obedience to self, and to ambition, and the limitations of the body as container, while the obligation to include others in one's apprehension of the room, or self, causes Wagner's slangy, spoken, and singing world of representation to slide from syntactic unit to unit, making room for a galaxy of metonymy. 'Things mean, and I can't tell them not to'. What's going on inside is a watchful self-regard that invites Eros to play. Further exploration takes Wagner close into sexual fantasy - the desire for a debased object - and the politics thereof: 'Well I expect you to go into the/fucking human tunnel/I'm going'. Here, we find a female body marking that watching with a severe wit, charmed visuals, and the analytic prowess of a born human.

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