Description

The first in-depth study of its subject, this book seeks to historically account for a type of modernist film that revolves around bereavement. Identifying the roots of the genre in classical melodrama and horror cinema, and tracing perennial themes and aesthetic devices through to the European and American ""intellectual melodramas"" of the postwar decades, the book provides a taxonomy of characteristics. In the course of detailed case studies, the book deploys the film theory of Gilles Deleuze and Daniel Frampton while making use of Freudian psychoanalysis and present-day grief counselling theory. In making its case for the new genre, the book reflects upon the ways in which the very notion of genre has, in the post-classical period, responded to changing exhibition patterns, the rise of domestic spectatorship, and the proliferation of Web-based film literature.

Mourning Films: A Critical Study of Loss and Grieving in Cinema

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Paperback / softback by Richard Armstrong

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The first in-depth study of its subject, this book seeks to historically account for a type of modernist film that... Read more

    Publisher: McFarland & Co Inc
    Publication Date: 30/09/2012
    ISBN13: 9780786466993, 978-0786466993
    ISBN10: 786466995

    Number of Pages: 220

    Non Fiction , Art & Photography

    Description

    The first in-depth study of its subject, this book seeks to historically account for a type of modernist film that revolves around bereavement. Identifying the roots of the genre in classical melodrama and horror cinema, and tracing perennial themes and aesthetic devices through to the European and American ""intellectual melodramas"" of the postwar decades, the book provides a taxonomy of characteristics. In the course of detailed case studies, the book deploys the film theory of Gilles Deleuze and Daniel Frampton while making use of Freudian psychoanalysis and present-day grief counselling theory. In making its case for the new genre, the book reflects upon the ways in which the very notion of genre has, in the post-classical period, responded to changing exhibition patterns, the rise of domestic spectatorship, and the proliferation of Web-based film literature.

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